Recommendations for a few high SQ classical CDs


I have a modest collection of classical music CDs, most of it symphonic works, maybe 20-30 CDs at most. Most of my musical interest is with rock, roots rock and blues but I do enjoy classical music but have limited knowledge and experience.

I am also a new audiophile with my first hifi system for about a month now.

I would like some specific recommendations on just a few symphonies (for now). What I am looking for at this point is good CD recordings rather than the nature of the performance/conductor/orchestra. In other words, I'm looking for SQ first and performance quality second. I know that might sound backwards but I don't have enough knowledge to have a major preference between performances but I can hear SQ. Certainly a great recording of a great performance is ideal.

To keep things limited I am specifically interested in these works:

Beethoven's 9th
Mahler's 4th
Dvorak's 4th
Brahm's 4th

Certainly open to other symphonies by these composers. I have the works listed above and other symphonies by them as well.

Thanks for any recommendations,

George


n80
One very inexpensive approach - especially for someone who wants a variety of works - is to buy one of the Mercury Living Presence CD box sets. They were great performances lovingly recorded and produced. The box sets are an unbeatable bargain. Instant collection. 
I agree. To hear the first movement and the beginning of the second movement well the volume has to be up fairly high; over 1/3rd on my system. At that volume you can feel the bass and vibration in the floor with that rousing ending.
I have Saint-Saen's 3rd on Telarc, Eugene Ormandy and Philadelphia Orchestra. I'll listen to it tonight and see how it sounds.


That is a very good recording with a smashing crescendo at the end. Enjoy. 
I have Saint-Saen's 3rd on Telarc, Eugene Ormandy and Philadelphia Orchestra. I'll listen to it tonight and see how it sounds.
I’m surprised nobody’s mentioned the Mercury classical catalog.
Saint-Sean’s 3rd Symphony with Paray, or Prokofiev’s 5th with Dorati on this label are magnificent performances and blockbuster sounding discs.
This has been mentioned several times. I am at the end of my one month free trial. It does have its appeal but to achieve the level of quality that I would like (much less the quality which my system is capable of) would require more money in equipment and software than I am ready to spend right now. The SQ from laptop to line stage via an RCA patch cord into the headphone jack just doesn't sound all that good to me.

It is a good way to at least research works that I'm unfamiliar with.

I still like the idea of CDs. Solid media that I own and can keep. I know that is a primitive notion these days and I also know that CDs can degrade and be damaged.

I am still looking into a cheap, simple DAC and ripping CDs into a library which I can run with Apple Remote on my cell phone. If/when I get there I might consider Tidal again. But to be honest, lack of a simple way to run Tidal with a remote is a bit of a deal breaker for me anyway. Truly perplexing that they cannot develop an app for this. It appears that users have been asking for it for several years.


Subscribe Tidal HiFi/MQA and you have the your own classical musical library and 192k/24bit music click away.
You requested recommendations for high sound quality classical CDs. Here you go.

Beethoven 9: Sir Simon Rattle, Berlin Philharmonic (issued 2016). If you can't buy the individual CD and don't want a digital download, go for  Osmo Vänskä's 9th with the Minnesota Orchestra, on the BIS label. 

Mahler 4th: Adam Fischer, Dusseldorf Symphony

Brahms 4th: Andris Nelsons, Boston Symphony Orchestra; or Riccardo Chailly,  Gewandhausorchester

Dvorak 9th ('From the New World'):  Andrés Orozco-Estrada, Houston Symphony

All of these are recent recordings (within the past 10 years). For quality of performances and sound quality, check the online reviews.
 
Hope this is helpful.

TimT

Wagner Ring by either Von Karajan or Solti. From the golden age of Vienna and Berlin orchestras.
- Herbert von Karajan Beethoven Symphony No. 9 Japanese Import (UHQCD). *Currently out of stock on Elusive Disc
- Mahler Symphony No.1 (XRCD24) - http://www.elusivedisc.com/Mahler-Symphony-No-1-XRCD24/productinfo/HIQSXR35/- Brahms: Symphony No.4 [SHM-CD] [Limited Release]  - http://www.cdjapan.co.jp/product/UCCG-9956?s_ssid=e363725b8189cb6df7
I own very few CDs since they are too flat sounding but some SACDs are really good.The best I have heard for sound quality is the Colin Davis/Concertgebouw version of Symphonie Fantastique on Pentatone.
Even in the 2 track stereo output it is simply fantastique!
@n80, check out Anton Bruckner, one of the masters of the symphonic form. Symphony No. 7, 8 and 9 were written at the peak of his creativity. Symphony No. 4 "Romantic" is a good introduction to Bruckner since it is very melodic.

Gunter Wand/ Berlin Philharmonic on RCA Red Seal has outstanding SQ with terrific performances. RCA Red Seal is one of the great classical labels known for high quality recordings.

https://www.amazon.com/Symphony-7-Anton-Bruckner/dp/B00004YMJ0/ref=sr_1_5?s=music&ie=UTF8&qi...

https://www.amazon.com/Bruckner-Symphony-No-8-Anton/dp/B00005Q66Y/ref=sr_1_5?s=music&ie=UTF8&...

https://www.amazon.com/Bruckner-Symphony-No-4-Anton/dp/B0000247D1/ref=sr_1_2?s=music&ie=UTF8&...

... and don't buy any remastered versions.


@glupson, First of all, I'll try to control my anger and disappointment at DG for screwing up the sound on such a vast catalogue of wonderful performances from many of the greatest artists, orchestras, and conductors who ever graced the stage.

I usually watch the Vienna New Year's Concerts on PBS. I haven't heard the Karajan performance in its entirety, but there are several positives. It takes place in the Musikverein with its unique and unsurpassed sonics, and it has Karajan (albeit near the end of his life) leading the VPO in which they shared an amazing chemistry. IMO, live recordings from the Vienna "Great Hall" seem to sound a bit better than many of the other venues recorded by DG engineers. The ambience of that concert hall adds so much to the recording.
   The audio mix on the live TV broadcast usually sounds pretty good. Live TV broadcasting takes priority over music recording companies, so maybe the DG engineers are not allowed to use their standard over-mic'd recording techniques. Even so, they record and mix their own audio feed for a later release.

I've never heard K2HD, but I own some Japanese SHM-CD's and Blu-spec and since they are simply remasters made from the original digital masters, to my ears they just sound like a cleaner CD with tipped-up highs.


lowrider57,

You got the part about 1987 New Year's Concert right. It is far from the best sound quality that ever was. I, don't ask why, happened to have had a plain any-store copy Made in West Germany, one more like that Made in U.S.A. and now I have this Japanese K2. I bought K2 simply because it existed and those regular copies were getting on my nerves. Not that I listened to them more than once a year, or every two years. K2 is definitely better than ordinary CD, surely not four times better like the price might suggest but I think it is decent. Still, I suggested it as a decent-sounding material for some easy-classical listening. Kind of when we get tired of Mahler's attacks and need a break.

As far as actual Deutsche Gramophone recordings go, would it make a difference that this particular CD/concert was recorded live with whatever constraints the venue might have brought? I have no idea, but I do have some of the Deutsche Gramophone recordings you are implying and I think you are spot on about the imperfections of sound. It may be my ears, but I think that this particular New Year's Concert is a bit better to start with. To repeat, not great.
@ ronkent: For the Rite of Spring I'm gonna say Ivan Fischer, Budapest Festival Orchestra, Channel Classics once more! :)
Decca issued a big box with a nicely varied selection of music from their catalog, The Decca Sound:

https://www.amazon.com/Decca-Sound-50-Box-Set/dp/B018FCVK8U

IMO only one real clunker here: I cannot abide Ute Lemper's mannerisms in her Kurt Weill disc.  YMMV.  But that's a really good batting average for a box like this.
thanks guys for all the great suggestions.  i have a reasonably large (500 or so) of classical cds and there are many above that i need to look into.  my suggestion for an outstanding recording both performance wise and SQ wise is this cd:  https://www.amazon.com/Stravinsky-Rite-Spring-Petrushka-Igor/dp/B004QI1556/ref=sr_1_20?s=music&i...
For Mahler: Ivan Fischer, Budapest Festival Orchestra from Channel Classics or Ricardo Chailly, Royal Concertgebouw Amsterdam, Decca.
For Beethoven: Osmo Vanska, Minnesota Orchestra, BIS Records.
For Dvorak: Nicholas Harnoncourt, RCO, Teldec or Leonard Bernstein, NYPO from Sony Classical. 
There are also reference interpretations!
Try Blu-ray disk. In my experience,  I find the SQ superior to my SACD, DSD and other high resolution format. very dynamic and open

System is Oppo player and Stax SR-009 headphones with BHSE tube amplifier.
No mention of Solti's interpretation of Mahler's 8th on the London label?
I am shocked!
I need to dig deeper there. Free 30 day Tidal and 90 day Apple Music will help with that.
@n80, oh yeah, Edmunds has a lot of solo albums, and one as a member of the great Rockpile (with Nick Lowe, Billy Bremner, and Terry Williams). Dave just announced his retirement---he's in his mid-70's. He continued to perform "Sabre Dance" after going solo, usually as a set-closer. His playing on the piece is a real tour de force.
daverz, I don't mind boxed sets of good recordings. I'm never going to be an aficionado or a serious collector of classical CDs. I'll probable never own many duplicates of any given works. So a well recorded box set makes sense. I'll look into that Dvorak set.
It may be a bit of nostalgia, but I’ve always been very fond of the old Leibowitz "Power of the Orchestra" on RCA, first on Lp and then in gorgeous sounding DSD.

http://www.elusivedisc.com/Leibowitz-The-Power-of-The-Orchestra-Moussorgsky-Hybrid-Stereo-SACD/produ...

(Oops, didn't see that it was a pre-order.  I guess the SACD is currently out of print.)
bdp24, I think Dave Edmunds did some solo work too. I love "Pictures at an Exhibtion". I'll look into Sabre Dance.

Would also like a reference for a good CD of "Pictures at an Exhibition."
It seems like it always has stuff I don't want tacked onto the CD with it.
It's much more than you asked for, but the Belohlavek set of Dvorak symphonies and concertos with the Czech Philharmonic on Decca is beautifully recorded and there are good prices on Amazon Marketplace:

https://www.amazon.com/gp/offer-listing/B00JOX77GE/ref=tmm_acd_new_olp_sr?ie=UTF8&condition=new&...

There are also 24/96 downloads available.
George, I have an interesting recommendation for you. Welsh Rock ’n’ Roll guitarist/singer/producer Dave Edmunds (well known as producer of The Stray Cats, The Fabulous Thunderbirds, The Everly Brothers and others, and member along with Nick Lowe of the great band Rockpile) was in a band before in 1970 starting his solo career, named Love Sculpture. Inspired by Keith Emerson’s reworkings of Classical compositions for ELP (Mussorgsky’s "Pictures At An Exhibition", of course), Dave and the two other Love Sculpture members recorded a Rock band version of Khachaturian’s "Sabre Dance". I am in general no fan of Rock versions of Classical music, "Sabre Dance" being the lone exception. Love Sculpture released two albums on British EMI.
I've got the Tidal 30 day trial but am not satisfied with the SQ just running it from my laptop via headphone jack/RCA y cable.


Subscribe to tidal hifi and compare dozens of performance of the same piece of music to find out what you like. Worked for me and once you identify what you like it gets easier.
For two classic performances of the violin concertos:

Heifitz: Beethoven Violin Concerto Munch/BSO, and
            Brahms Violin Concerto Reiner/CSO    RCD1-5402

In addition to all suggestions made so far, you can entertain yourself in near perpetuity perusing Arkiv Music and Presto Classical's websites for further ideas and reviewer recommendations. Any composition you are interested in can be searched by several parameters. I have found many gems searching under the "recommended"heading. 
+1 lowrider. Deutche Grammophone  is one of the offenders I was referring to when advising to stay away from the fancy formats. Such great names and lots of techno involved but the result is totally flat.

To bring together a few recommendations - the San Francisco SO does a great Copeland as well, lots of air nice brass and good clean sound with depth.

+1 bdp24 on baroque music. I was a romantic snob but finally came around to the older music and find it totally beguiling. One example - Handels Tamerlane opera. Who knew? Not me until recently.

Enjoy
Thanks lowrider. I've got several CDs by the London Symphony Orchestra. Not home right now so I'll check which ones later.

glupson, in Italy opera is still popular with young people. I saw Tosca at the Parma opera house in April (my first opera) and there were lots of young people and children there. They sell tickets for the top tier which is standing only, no seats, and they say it is often full of young people who stand through these two hour productions.

My first thought was that these must be wealthy young folks because even standing tickets aren't cheap and floor seats are high....but you commonly see rock concert tickets for $150 and pro football tickets are that high too.
I'd like to comment on SQ of some of the CD's listed. The Karajan New Years Concert was mentioned. First some history; Deutsche Grammophon's digital recordings from the 1980's are far from good sound quality. Sound was dry, harsh, and their technique of multi-mic'ing resulted in a closed-in and flat presentation. DG was far behind other record labels during the early years of the CD.
    My point is to steer clear of the early DG DDD recordings, as most were remastered later in an attempt to make them listenable.

Now, I would assume the Japanese K2 CD would be superior to the DG issues for sale from US vendors.

One last comment; The San Francisco Symphony's recordings from
their record label are some of the best I've heard. It's true the SQ and performances are top class.
   Other major symphonies have created their own record labels and sell very high quality CD's. One that comes to mind is The London Symphony Orchestra.

n80,

Once upon a time, I heard a report on the radio that talked about popularity of opera among people who otherwise prefer punk rock. It talked about similarities between those two, what appears to be completely different, styles of music. I cannot repeat it now, but they dissected it and it made sense.

https://www.npr.org/templates/story/story.php?storyId=911160
The San Francisco Symphony runs their own music label which is always of very high quality for both the performance and the recording. They have all of Mahler’s Symphonies (including the 4th). They also have the Beethoven 9th. If you get these on SACD, they are recorded in natural 5 channel surround sound that is REALLY AWESOME if you have the system to play it on.

https://bluecoastmusic.com/store?f%5B0%5D=field_record_label%3A139
glupson, thanks, I will add those to my list.

bdp24, thanks for that suggestion. I have always thought of 'classical' being from Bach through Beethoven's early work...but am probably mistaken. But yes, in regard to this thread I meant pretty much everything up to Copland, etc, in the popular sense of classical.

I am familiar with some Bach, some Handel and some Vivaldi as most people are. But other than a few exceptions Baroque has not drawn my interest....which is not to say that it won't, but I'll have to make an effort. Years ago when I decided to dive into southern literature I realized that I needed to understand what it was built on. And while it is still my primary literary focus I came to love and enjoy Homer, Virgil, Dante, Cervantes and Shakespeare. ( I wish I had as much music as I do books!). Which is all to say, if I take the plunge into Classical and Romantic era music, I'll probably want to at least explore the foundational stuff. I do have 8 or 10 Haydn symphonies which I have not listened to in ages.

But I will say, a lot of my rock taste is progressive...so the long, heavy, dramatic symphonies of the Romantics fit well with that rock genre.
And, if you ever want to feel "less serious", but are in the mood for a guilty pleasure, New Year’s Concert 1987 with Karajan. However, you have to get Japanese K2 CD and not the regular one for $10 or so.

http://www.elusivedisc.com/Herbert-von-Karajan-New-Years-Concert-Numbered-Limited-Edition-K2-HD-Impo...

George, I am going to make some assumptions about your approach to "Classical" music (parens employed because Classical, though used casually in reference to "serious" music, is actually a style of composition and performance of a specific type and time period in musical history). Coming from a background of "Pop" (non-Classical) music as you are (as am I), I would suggest you first explore Baroque music---J.S. Bach, Handel, Rameau, Scarlatti, Vivaldi, Couperin, Purcell, Pachelbel, etc.

I do so for two reasons. First, it is the first music written in what we now consider "Western" tonality. The major/minor scales, which, in a seriously over-simplified manner, are attributed to Bach, credited as being the father of Western Music. And second, because Baroque music is performed in the brisk tempo of Pop songs, as apposed to the more languid Romantic music (the most well-known "Classical" period). And not just in tempo, but in the song-like structure and length of it’s compositions, I find Baroque to be the most easily accessible style of Classical music to Rockers, the perfect introduction to serious music.

For recordings of Baroque music, the Harmonia Mundi label (both French and U.S.A. branches) is as good as it gets, both in performance (mostly in "period informed" style) and sound quality. Hope you find this of help in your exploration of God’s greatest gift to mankind---music!

Mahler’s 5th symphony by Frank Shipway. There are two sound carriers available, or at least they were, CD and Hybrid SACD. Go for SACD, just in case you ever get a SACD player. To me, SACD is way better than CD layer, but CD is very good, too.

https://www.amazon.com/Mahler-Symphony-No-5/dp/B00000ICOW

https://www.amazon.com/Mahler-Symphony-No-5-Gustav/dp/B000AAVCY8

I would also recommend Beethoven’s 2&7 symphonies by Vanska and Minnesota orchestra.

http://www.arkivmusic.com/classical/album.jsp?album_id=462028

Mahler's 4th by Ivan Fischer sounds really great to me, too.

https://www.amazon.com/Mahler-Symphony-No-4-Gustav/dp/B001PBCZ92



Thanks for the excellent recommendations. I'm making a list.

A lot of my little collection is the from the Cleveland Symphony orchestra either Szell or Dohnanyi conducting. These came from my late uncle who was an aficionado. Record companies sent him music to preview so we often got some of his extras. I do not know if he particularly liked the Cleveland Symphony or just had extra ones. 

In my original post I mentioned Dvorak's 4th but I meant the 9th. One of my favorites and it seems certain to me that Williams borrowed heavily for his Star Wars themes.

Side story (I have two). The little former mill city that I live in has just founded a symphony orchestra. My sister in-law is on the founding committee and my wife has helped them with fund raising. They are an excellent group of musicians from around the region (Charlotte, Atlanta, etc). The conductor is from New York. They will be doing Dvorak's 9th for their opener next month. Can't wait. I think it is a wise choice as it will be very accessible even for us local hicks.

Second story (which relates to posts above):  One of the other board members is the chair of the piano department at the University of Colorado.  He is in a duo with a violinist named Bill Terwilliger who teaches violin at the University of South Carolina. They have a number of CDs under the name of Opus Two. They specialize in the American composers, especially Copland. They will be performing with our new symphony from time to time. They are friends of the family and I must admit have never been really into Copland. I think it is time for me to broaden my horizons as I suspect my wife and her sister are likely to stay involved in the symphony.

Anyway, you've all given me a good place to start building from. Thanks.

George
There is another symphony by Copland you must hear which is "Appalachian Spring" Bernstien and the New York Symphony orchestra.  I have also have Copland conducting himself as well.  Both are very good.  I can also recommend an audiophile Sampler CD by -Showcase "Opus 3"  it contains an excellent  recording of Ravel's "Bolero"  It also has a SACD layer and is made in Germany mainly of Scandinavian artists.
Any of the named Haydn Symphonies conducted by Neville Marriner and the Academy of St. Martins on Philips.
Another new (for you perhaps) symphony that is highly regarded and enjoyed by most, is Sibelius' Symphony #2  conducted by Osmo Vanska with the Minnesota Orchestra on a BIS SACD. It includes another relatively accessible performance of Symphony #5. 

And, another very exciting piece of music in very high quality (both sound and performance) Stravinsky's Firebird Suite by Eiji on Reference Recordings.
A couple of very high quality and relatively modern recordings of excellent performances -

Mahler Symphony #1 on Telarc by Zander. This disc includes a wonderful rendition of Lieder eines fahrenden Gesellen. The sound quality is excellent. The program really satisfies me.

One not mentioned (by you), but if you want a really high quality (read demo quality) I highly recommend Copland’s Third Symphony by Eiji Oue and the Minnesota Orchestra on Reference Recording. It includes "fanfare for the common man" which is especially notable  sound reproduction wise.

Another piece you didn’t mention, which is really a symphony in disguise, Rachmaninoff’s Symphonic Dances by Eiji Oue on Reference Recordings. A very dramatic piece and accessible. More demo music.

FWIW, most older RR recordings are audiophile wet dreams.