Maybe it is because Garcia spent so much time jamming. Or there is just so much more recorded material of the Dead. The Dead could possibly have the most recorded live material available. Garcia certainly appeared to enjoy noodling on his guitar.
I began to appreciate Garcia more, the more I explored Americana and bluegrass years ago. In retrospect, I think that this is an essential link to the appreciating of Garcia, as you then get away from how the Grateful Dead are viewed.
Without the Dead's legacy to consider, you can then open up to David Grisman's 'Old and in the Way' or the Jerry Garcia Acoustic Band or Hooterall.
I have a strong opinion. Let me preface this by saying the GD are a band I absolutely love. Garcia, however, like the rest of the band, is frequently out-of-tune and messy. He's neither fluid nor technically sound. BUT...he has a certain soul and when he hits the notes (listen to Morning Dew off Europe 72) he can be brilliant.
And Garcia was a very good guitarist. Listen to Terrapin Station again, a masterpiece...
Sad. What you wrote is probably very wise,but monoparaghs are just unreadsble to me. Sorry mang.
Yes, admittedly I have stretched this paragraph to its limits. I never said I was perfect.
....in my opinion ; Jerry Garcia was comfortable playing in any musical genre. He was also for the most part, very good in all of these fields. That in itself is amazing and worth noting....he got '' lazy '' towards the end of his career and used the MIDI to take the place of trying to play even better. However, I really liked the sound ( no MIDI ) of his modified Fender in the early to mid seventies .....all I can is ; wow, how sweet it was. First and foremost - the man just loved to play when ever and with who ever and no one else really did / does just that. He loved music - all types. Miss ya Jerry - I also can not believe that it has been almost 17 years since his death.
I think all the less than stellar doodling live recordings of the Dead available blurs the picture in regards to Garcia for many. He was a talented musician that could really deliver when focused and on, but there are too many recorded instances of Dead jam sessions that strike me as prolonged, unfocused, and tedious that lower his marks overall.
Cut out all the unnecessary pointless doodling and there is a lot to like. Unfortunately, it may not be easy for the uneducated to filter through the fluff and cut to the chase.
I also like his tie designs and own several.
Mapman, then count me amongst the "uneducated".
Great post goofyfoot!! Thank you!
For me , Jerry moved my soul every time I saw him play. That would be 50 Dead shows, and 25 Jerry Band shows!! I also got to see him with Grismon on Broadway.
I always found his noodling very tasty. ;-)
No other guitarist could take my spirit and make it SOAR!
"No other guitarist could take my spirit and make it SOAR!"
I know many including leading local clergy who feel the same way. So there must be something to it.
"American Beauty" in particular side 2 is the only Dead album I can think of that can regularly have that effect on me, though my understanding is Garcia's guitar work on that one was cut back somewhat.
Mapman, did you ever see The Dead live?
Jerry and The Dead had to be experienced. The Deadheads,The road trips to see em. I thought nothing of driving 6 thousand miles to see them in Eugene. No I counted myself lucky to hear Jimmy Cliff open for them. You can't understand Jerry's playing from listening to any studio album. I think Jerry was a true master of the guitar.
I recall debating Garcia's playing ability with a fellow deadhead over a bong hit circa '74. My friend about summed it up: "He keeps it going." Dead on.
I heard the Dead live once in 1981.
For me, it's always been about the whole experience.... Are there better technical guitar players out there ? Absolutely ! But when Jerry and Bobby and Phil and Mickey and Bill and Pigpen/Keith/Brent/Vince/etc. had it all going, there was NOTHING like a Grateful Dead show. And Jerry's guitar playing had a lot to do with that.
Ok..I gotta chime in here....JGarcia struck a chord with many people whie he walked the earth for many decades (yes pun intended here). Many people have swayed, danced till their hearts content or just stood in awe at concerts. He was truy a remarkable musician on his method of playing and interjecting notes along the way making the music fuller and taking folks to new highs...I have seen 125 shows and relish each of them, not ever show was perfect, he was human and so are the rest of the fellas. The Dead is a fusion of music that developed over the years and has taken on new tempos as it continues. I truly loved his style and have developed my listening system around him and the music. The Dead make people smile because of the music and lyrics and there is nothing wrong with that....Nothing left to do but smile smile smile....He lives on in my heart, and always will...
"Nothing left to do but smile smile smile....He lives on in my heart, and always will...."
Beautifully said, Shakedown.
I began to seriously listen to the Grateful Dead in 1973. This occurred because I had a good friend who was enamoured by the Dead's music, and in particular Garcia's musicianship.He was in SF during the "Summer of Love" in 1967, so he was witness to their evolution as a rock band. His admiration was only heightened by the way I was able to verbalize the genius of the band's playing. To please my friend,I may have overlooked some the minor flaws of JC's playing and the lethargy that the band as whole occasionally displayed in concert.
At this time, the Dead were heading into their most creative period which some critics claim ended with the Europe'72 tour. I have to disagree wit these claims. I was never the Deadhead that my friend was, but I understood his devotion to the band. He often claimed that few guitarist of the day had as many "musical ideas" as JC, though he acknowledged the great musicianship of Clapton, Townsend, and John McLaughlin. We both agreed that Hendrix was in a class by himself. I was never a big Hendrix fan, though he brought the art of the electric guitar to the limits of its capability.
In my opinion, Garcia and the Dead were synonymous with the ethos and culture of San Francisco in the 1970's. They were as much part of the beat generation as hippies. With JC as their maestro, the Dead played blues, country, Latin. gospel, rock, acid rock, and 40's and 50's swing. I always told my friend that there was a sadness, a sorror underneath the sound of Garcia's music. It possessed an "old world" Spanish timbre, which also was existential in its solitude. I often reminded me of paintings in Spanish missions churches of the "Mater Delarosa"....the sad mother weeping. It can be easily heard in songs like "Black Peter", "Stella Blue" "Deal" and to a degree in "Candyman" and "It Must Have Been the Roses" and some other of their less expansive tunes.
I think Garcia's genius was exemplified in his musicianship, and the ability to create segues into other realms of music, and musical genres. He was the greatest maestro of the type and style of rock music that was patentedly the Grateful Dead. One can only wonder what JC and the Dead would have been capable of, even after 2000 plus live concerts and 35 years of "playing in the band"
Conversations about GD and Garcia can be very polarizing. Jerry Garcia himself puts it in perspective: "The Grateful Dead are kind of like licorice. Not everyone likes licorice, but those who do REALLY like licorice".
I remember that I recall Garcia once saying and I am paraphrasing here ( I hope that I do not offent anyone ) : The Grateful Dead are like an old whore, if you stay around long enough and you keep doing what you're doing.....you're bound to get good at it ''. Miss Garcia and that band allot....