Phonostage for Rega P10

Purchased a Rega P10 and now I'm thinking of upgrading my Rogue Audio Ares phono preamp to the Allnic H-1202.
My understanding regarding the Rega is that its performance is so good, a top shelf phono preamp would serve it well, not that the Rogue is inadequate but I don't have a lot of experience with phono preamps as I've owned only 2 in my life.
Thanks for your feedback.
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Since you like tube, I would have one of these on my radar.

It was "flavor of the month" in the forums years ago.

Based on reviews, the Ares is a nice unit. I demoed the 1201 years ago, great phonostage.
I'd 2nd the NVO. Been using one myself and it's a keeper. Listening to it as I type.
Thanks for the suggestion. Looks like an interesting, great sounding unit. 
I did locate an Allnic 1202 for $2200 with the NVO being double that or nearly.

Seems like there's so many great phono stages out there it's difficult to discern a good compliment for the Rega. I've thought about the Pass as well but my budget was compromised with the cost of the TT!
Moving to another tubed stage in a similar price point may be a lateral move. Naturally there will be sonic differences, but you may hear them as too sublte, and not worth the hassle.

You may have to take the leap $$ to hear dramatic difference with your existing phonostage. YMMV.
What is it about the Ares you find deficient? All the reviews both user and reviewer are positive. Tube roll and power cord are the last ditch efforts before a new upgrade?
My understanding regarding the Rega is that its performance is so good, a top shelf phono preamp would serve it well

Are you looking for a phono stage for the actual cartridge or for a turntable for some reason ? Would you like to mention your cartridge specs and type?  

I guess I’m looking to level up with a phonostage and was thinking about the Allnic. I’ve owned an Allnic Linestage dht5000 and was happy with it.

And perhaps I should live with the Ares. Just looking at all points here and thanks for the responses.

I have a Rega P10 with the "matching" Alpheta 3 cartridge.
I have a warmish sounding system using the Usher Tower XL’s and a BMC S1 amp as well as a Nord Icepower class D amp. Current TT is a VPI Scoutmaster that’s making way for the Rega. A Lindemann Musicbook DSD 25 as well, FWIW.
I have also been using the all tubed NVO and it is the only piece I'd never change.  It replaced my Kondo M-7 and I have never felt the need to change it.
These NVO guys coming out are making my "buy now" finger twitchy
Been super happy with the Parasound JC3 with my RP10 - went through a bunch of cheaper Phono stages and it was real easy to settle on the Parasound once putting it in line.

I'm sure it's not the be all end all but it's a fantastic piece of gear all the same - nice and quiet, smooth and dynamic definitely a winner.

I've run a Lyra Delos, Denon DLA100 and an Apheta 2 all of which worked well.

The JC3+ apparently has more flexibility but the overall character is said to be the same I think.
Then you’d better post Apheta 3 specs, i can’t see even the Output of that cartridge on their site, anyone can comment ???  350μV is 0.35 or what ?

Tracking Pressure 1.9 - 2.00g
Input load impedance 100 ohms
Output impedance 10 ohms
Nominal output voltage 350μV
Channel Balance : ≥ 20μV
Separation : ≥ -29dB

Mass 6g

Key Features :

Iron cross & coil assembly 50% smaller than the original Apheta .
One of the world’s smallest MC generators.
Cutting edge neodymium magnet.
Fine Line profile nude diamond stylus.
High specification fine wire.

Load settings for adjustable MC stages

Impedance -100ohm
Capacitance - 1000pF
Gain setting - High (’On’ position for Rega phono stages)

0,35 mV.
Regular phono cartridge - cross, neodymium magnet. No compliance figures. I am curious which edge can cut neodymium magnet :)
Looking at the OP's phono stages i think it's better to replace a cartridge to something first class, but not the phono stages
Rega P10 with the Apheta 3 sounds first class to my ears. The Ares sounds great mated with the Rega and I could leave well enough alone. 

I can't help feeling that the Rega would benefit from the next level of phonostage. The NVO looks like a winner except with all those tubes, I'd always feel like there's a bad one in there eventually. I have issues...

Not being able to demo puts me in the forum where enlightened ones can chime in. Budget is $5K after I sell some gear. So that puts me in the following territory.

Allnic 1202
Gold Note PH10
Boulder 508
Herron vtph-2a
Pass Labs XP17
Parasound JC3
Audio Note L3 kit (I love building stuff)
I’m using Gold Note PH-10 with PSU-10 in my system, this phono stage is great if you have a lot of cartridges or at least two tonearms/turntables (like myself), you can connect two MC or two MM at the same time, or MC and MM. It is more flexible for LOMC cartridges with all the loading options and gain options.

If you have just 1 cartridge you don’t need a phono stage like Gold Note in my opinion.

@chakster  I respectfully disagree regarding the PH10. Yes if you only own 1 cartridge now it's still a wonderful piece but us audiofools are always experimenting with things including cartridges so given the PH10's flexibility I think it's a great choice. 
PS: The NVO sonically is still the better choice I for one have never had a tube issue
For one cartridge JLTi mk4 or mk5 is much better phono stage than Gold Note PH-10 which is not cheap at all with PSU-10 (power supply). If the budget is not the issue then unused 2nd input on PH-10 (and digital interface) is what you extra pay for.

JLTi Phono stage with one input with gain switch and optional RCA plug load resistors will cost less ($890 / AU$1490)), but the sound is even better. No limits with RCA plug load resistors for LOMC (better than Gold Note). The JLTi can be modified by the manufacturer and after this mod MM cartridge can be unloaded (100k Ohm instead of 47kOhm), you can't do that with Gold Note.  

I have the Rega P10 with Apheta 3 cartridge.  I’m using it with a Luxman EQ-500 vacuum tube phonostage and I love it.  I replaced the stock tubes with some NOS Brimars and current production Gold Lions.  It sounds great and it offers a lot of flexibility.  I got a dealer demo in mint condition for almost 50% off.  It’s quieter than the SS Rega Aria that it replaced and sounds a lot better.