How good is the Obsidian plinth of Technics SP10 ?
I'm a believer in Stillpoints in some applications, but in the case of an SP-10 Mk IIa in the obsidian plinth, three pairs of good ears had difficulty detecting any meaningful difference between stock footers and Ultra SS. This may have been because the plinth was sited on a substantial 4" maple base. Much more improvement was heard with a 4mm copper mat on top of the stock alum platter. |
Stillpoint Utra's and V's work well in place of the stk feet. as do these in the link. value for money is excellent. https://www.ebay.com.au/itm/Technics-SP10-SL1200-1210-Feet-Height-Adjustable-Type1-65mm-OBSIDIAN-PLI... |
Pani, it was Raul for years. On this huge AT-616 footers, on the picture is my ex SP-10mkII, but i;ve never had tonearm pod to try. https://scontent-arn2-1.xx.fbcdn.net/v/t1.0-9/33980119_2239456762739145_5580063266635251712_n.jpg?_n... |
| Post removed |
| Post removed |
| Post removed |
Dear chakster, One may think that my (meanwhile) 5 Kiseki's are somehow connected with my musical preferences. But the real explanation is Lew's ''argument'' : ''the price was such that it was impossible to resist''. The other possible explanation is the ''age'' we are talking about. Those Kiseki's are so old that young people (like you) who get them for free by inheritance have no idea what they are worth. ''Inheritance'', my dear , is the so called ''easy money'' so no price research is done before listing. You already got two of my carts for free so the third should be based on some other ''principle''. Say exchange. Your footers for one of my (3) Kiseki Goldspot; the latest version of this remarkable cartridge. |
@nandric It’s your faulty memory, because i told you many times that i’m 41. But i hope you can remember how each of your Kiseki sounds, otherwice you don’t need so many of them. As your "poor friend" i hope i can get some Kiseki next time from you for free :) |
| Post removed |
Dear Lew, Do you remember the first objections against DD TT's? Exactly what nearly happened to ''our'' MC 2000. Considering this danger I would not even dream to put a copper shield on my ''Kendood''. Copper conducts ... Dear chakster, sorry to hear about your dad. The case is that I think that you are much younger than I (and Lew) but i have no idea how old you are. I am also sorry that you are not a friend of Putin. Poor me I never had a rich friend. That is my ' fate''; I come from a poor country (grin). |
I will be happy to sell my Kendood to Nandric. But not the Kenwood. I had a copper platter made for the Kenwood on the premise that it would be a better EMI shield than the OEM stainless steel platter sheet or mat supplied by Kenwood. Maybe for that reason, the copper platter raises the performance level of the L07D by a considerable margin; it’s easy to hear. The L07D Owners group recommends installing some sort of EMI shield for best results, so I am guessing EMI is the crux of it. Also, I previously used an EMI shield of a different kind, with good results, but had been going without it for a year or two, because that shield became magnetized and nearly ruined an Orto MC2000. Big mistake to ditch the shield entirely. Copper looks fantastic on the L07D, too. Ironically, I purchased the MC2000 from Nandric. |
Dear chakster, I begin to believe that either your dad or you belong to the so called ''Putins friends''. Such expensive footers and than twice. ''Lews Kenwood'' is a kind of speaking. This does not mean his sample but this model in general. i have just seen one on A'gon market for $5000. But transport and import duty in Holland (33%) are the problem. I have the perfect tonearm for the second arm place on this Kenwood: ''the arm'' or ''better Breuer'' (aka Sumiko 800). All good sellers compare prices all over the world. So I hope that some German who understand English and own the Kenwood has seen this Ad. on A'gon. I can then collect the precious in Germany and hope to get credit for your footers thereafter (grin). |
@nandric As far as I know only Raul owns the biggest kind. I am not sure if those are your AT616. They are, i have 8 of them in mint condition. The best AT footers ever made, same as Raul's, 4 of them supports up to 60kg. They are not for sale yet, but when you will get your kendood from Lew we can talk about it, but i think he will never sell his kenwood :) |
I don't have my plinth anymore, this is how it looks "naked" on very special AT616 Pneumatic Suspension Insulators, 4 footers designed to hold the weight up to 60kg and turntable can be leveled perfectly. I saw smaller model of AT footers under your plinth. |
Perhaps it has something to do with level one plays back music and the feedback generated? I recall Peter Aczel initially not caring for the sound of the SP10 until he mounted it in the Cotter base, realizing then that the sound pressure generated by his current Janis woofers excited the obsidian base to the point of negatively affecting the sound. So those using the obsidian at more moderate levels and better platforms may well experience no sonic deficiencies. Just sayin.. Our opinions of products are almost always based on our listening environment, which may be hugely different from someone with another opinion. I’ll never forget a friend coming over, listening to my Trenner & Friedl speakers and ordering a pair the next day. But in his room they absolutely sucked. No bass or body whatsoever. I realize speakers are totally room dependent, especially in the bass regions, but I think the principle holds for everything. Widely-varying listening environments make for widely-varying opinions. Peace. |
There are people who claim to have talked with the Almighty. Hearing is of course the necessary condition next to ''some language'' ( among other conditions) for such occurrences. The question is why most will refuse to believe that those persons have heard what they claim to have heard but accept all other kinds of hearing as a fact? Then there are contradictions in what x and what y has heard. I, for example, enjoy my Obsidian plinth with AT footers while others ''hear'' a complete ''sonic disaster'' from all plinths made by Technics . I ask myself sometime if any comparison is possible without exaggeration? Not in this forum I think. |
In my opinion, the Obsidian plinths of Technics circa 1980's were a complete sonic disaster. Anemic, flat and homogenized sounding. My first Technics Sp10Mk3 had one, it was abhorrent and I thought at first it was just the turntable. After purchasing my first properly designed bespoke plinth ~ Panzerholz constrained layer based, it completely changed my mind about the potential of the Mk3 and what a direct drive can really sound like. After that, I tried a Slate OMA plinth, and although it was neutral, focused and slightly better in my system that the Obsidian, I completely lost the tonality of the Panzerholz and exotic wood based plinth I had owned prior. |
I worked directly with a quarry in Pennsylvania, Structural Slate in Bala Cynwyd, PA, I think. They cut a slab to my specifications: 23x19X3, and honed both sides, as I recall. I then contracted with a water jet company in York, PA, to cut the slate using a pdf file to program their water jet; I think that pdf was available for the Mk3 chassis from Soundfountain, on the internet. So that cost me total less than $500. I then contracted with an audiophile/carpenter in Houston to make me a base out of cherry wood and baltic birch with a cut-out for the mass of brass which acts to dampen the Mk3 bearing, a la Albert Porter's idea. Albert uses a piece of solid iron; I was leery of putting such a big hunk of iron so near to the magnetic rotor of the turntable, so I chose brass, etc, etc. I drilled the underside of the slate slab for female threaded bushings that I glued into the slate with liquid weld, and I then bolted the wood base to the underside of the slate. Total cost was probably around $800, even including the piece of brass (from On-line Metals) that I drilled and tapped so a threaded rod could pass through it and contact the base of the bearing housing, a la Albert. I am not going to pretend there was not a lot of physical labor involved. |
best-groove, you overlooked that not Lew but Nandric mentioned AT 636 footers. I own 4 of those so even their plural exist. But this does not imply that they are available on eBay or elsewhere. BTW I need to clean the cover of my Obsidian each week. Those particles are everywhere and like death unavoidable. So without the cover the dust has choice between platter or records... |
To Downunder: The two subs I am using in stereo mode are the Seaton Submersives. They are dual 15" subs with a 3400 watt amp each. They are flat to about 10-14 hz...So they can definitely excite the cartridge/tonearm/table system into feedback with a record with a lot of low frequency info at high volume (think Donald Fagen - Morph the Cat)...It never happens with just my main speaker running full range (Green Mountain Audio Continuum 3) which have a -3db at 27Hz. |
I guess here is where I pipe in to say that I commissioned the construction of a slate slab, 19x23x3 inches, to fit the Mk3 chassis. I had a hole cut right through the slate large enough to allow me to position just about any tonearm. Then I had the same company make me some slate tonearm mounting boards. The slate weighs about 70-80 lbs, so that was a good plinth. But after a while I added a cherry wood base, about 4 inches thick. Into the wooden base I incorporated the dampening mechanism that Albert Porter uses, a block of solid brass (Albert uses solid iron), into which I insert a threaded brass rod, about 5/8" in diameter. The brass block is firmly bolted to the wood and sits directly under the bearing. The brass rod contacts the underside of the Mk3 bearing well. That whole thing is bolted to the underside of the slate. Total weighs maybe 100 lbs. This sits on Stillpoints. |
I have an SP10 MK II with the Obsidian plinth. I am using a Basis Vector arm with a Soundsmith Zyphyr MIMC. My audio room is on the second floor so I have always mounted my turntables on the large Target TTW1 wall mount rack. I replaced the cheap target shelf with a 3" maple platform. I removed the crap feet that came with the obsidian plinth and have the original version of the stillpoints pointed up to the plinth. I had my SP10 rebuilt by Hans Lazuadi as well as he fabricated a brass mat that was screwed to and balanced with with SP10 platter. My system also has two Seaton Submersive subs that I use in both stereo and surround modes. Using the subs in stereo mode I can drive the volume up pretty darn loud before I get any sort feedback issue from the turntable. I too have wondered about other plinths but have been hesitant to invest big $ in a custom plinth not knowing if the incremental improvement would be significant. I will also comment that recently I have been ripping my vinyl to DSD128 using the Korg DS-DAC-10R. I find the playback of ripped vinyl via my Lumin A1 to be at least equal to playing the vinyl and superior in the aspect that I can truly crank the volume with two subs well beyond reason without any feedback. |
I bought teak wood plinth with several armboards for my SP-10mk2 a while back and still happy about it. For the difference in price between my teak wood plinth and hi-end plinths (from OMA, S.Dobbins, Chris or Albert) i bougth two Luxman PD-444 turntables with it's own original heavyweight "plinth" that need no replacement or upgrade and now i'm even more happy that i didn't bought expensive plinth for my SP-10mk2! |
Hi Lew Yes, that is the Thales tonearm. The tonearms are easily swapped as you just remove the entire armboard by removing the 4 screws. Hi Kong. many many different plinth options for the technics. I am happy with the Technics mk3 plinth, however I do need to find out how to remove the feet safely. cheers |
Hi Downunder, if you are open for experimentation, you may want to find a Lead Console plinth from Japan. Many of the SP10’s users in Hong Kong have bypassed the original plinth and go with the Lead Console. It was a very common combo in Hong Kong and Japan when the SP10’s were current. So, you can find a used Lead Console from Japan for 3 to 4 hundred dollars. But due to its weight, the shipping cost is often more than the buying price. https://www.flickr.com/photos/82488769@N00/26145258066 |
I used Stillpoint Ultra SS’s under the Technics mk3 plinth, by passing the feet. Results were poor. Using the Mk3 feet was clearer sound, but a little bass heavy - more my rack than the Technics as when I transposed the technics onto the Granite/compressions spring stand - everything improved markedly. https://www.flickr.com/photos/13641350@N08/35165280066/in/album-72157682466955655/ https://www.flickr.com/photos/13641350@N08/35165280846/in/album-72157682466955655/ |
