An interesting experiment


I have recently been experimenting with different preamps, as I found a while ago that this seems to be the component that influences the sound of my system the most. Being an EE (and a physicist by training)I was trying to figure out the source of the different sounds that tube and SS give me. I am a firm believer that good designs with modern electronics all sound the same (at least to my ears). As tubes are new to me I studied their specs a little, and recently realized that one big difference vs. SS is their output impedance. To be clear, I am talking about minimalist tube design, where the output stage is driven directly by the tube. As it turns out, tube designs have much higher output impedance. For example a 6SN7/6922 based preamp probably has an output impedance on the order of 8K/3K ohms respectively. While a typical SS would be less than 500 ohm. So as an experiment I put together a passive preamp with a series potentiometer that allows me to change the output impedance of the source. I connected my CD output through this "preamp" directly to the power amp. At this stage after listening for awhile I believe that my new setup sounds a lot like my tube setup (which has an audible illusions M3A pre, and magnepan 20.1s). The curious thing is that I had to dial the output impedance to around 30K ohm, which I believe is significantly higher than the tube pre. I know this setup by all accounts should be bad....

Regardless, to my ears this strange setup sounds excellent. I dare even say, better than with the preamp in the loop.
oferi
This kind of experimenting with various impedance matches is very interesting. Looking forward to whatever general findings or patterns might be detected.
Georgelofi - not a good match by traditional thinking, except it sounds good to him.
"not a good match by traditional thinking"

It's more than just traditional thinking, it's "Ohms Law", every stage of amplification design is based on on it and Kirchhoff's Law, without them you'd have a mess.
And yes if it sounds good to him he may have stumbled on something that has addressed a problem elsewhere.
Typical example is the Linn Isobarik speaker of yesteryear which was a highly overdamped design (not the ideal .707Q), which worked well with amps that had very mediocre low damping factor such as the Naim 250 at lower than 20 damping factor (highish output impedance). If you drove them with an amp that had a reputation of great controlled powerful bass that had high damping factor (low output impedance) those same Isobarik's had no bass, even though the amp was regarded for it's bass performance.

Cheers George
A point that should be kept in mind is that the commonly stated 10x guideline for optimal impedance matching of line-level interfaces is commonly mistated and misinterpreted, as I see it.

That guideline says that for line-level interfaces ideally the load impedance should be 10 or more times greater than the source impedance, at the frequency for which that ratio is lowest.

That is commonly misinterpreted to mean that if the ratio is less than a factor of 10 sonics will necessarily be compromised. Which is not correct. Meeting the 10x guideline will pretty much assure that there won't be an impedance compatibility problem. But not meeting that guideline does not necessarily mean there will be a problem. It depends mainly (although not entirely) on how the two impedances VARY as a function of frequency.

If the two impedances are essentially resistive, and therefore do not vary significantly as a function of frequency, and if the load impedance is not so low that it causes a significant degradation of the performance of the output stage of the source, such as a rise in distortion, and if the high source impedance does not result in excessive interaction with cable parameters, especially capacitance, then even a 1:1 ratio would be fine. The only effect would be a small reduction in signal level, which would be compensated for with the volume control if necessary.

Most (but not all) tube preamps have a substantial rise in their output impedance at deep bass frequencies, as a result of the output coupling capacitor most of them use. That will cause a significant rolloff of deep bass response if the load impedance is not substantially greater (ideally 10 or more times greater) than the source impedance at 20 Hz. Raising the output impedance of a solid state source by means of resistors or potentiometers will not cause that impedance variation, and will not have that effect. Although if the output impedance is raised to very high levels, such as the 30K number you mentioned, there will likely be significant rolloff of the upper treble, and consequent softening of high speed transients, resulting from the interaction of that impedance with cable capacitance.

A corollary to all of this is that a high degree of consistency should not be expected between the results of these kinds of experiments among different systems. How the impedances that are involved vary as a function of frequency will be different for different components. Interconnect cable parameters will also differ from system to system, as will the lengths of those cables upon which the parameters are dependent.

Regards,
-- Al