High Value Phono Stages


The current phono stage is an Esoteric E-03, which I am quite content with. I have an Origin Live Agile w Transfiguration Proteus on one input and an OG Kiseki Blackheart on an Audiomods 12" Series 6 on the other. 

I have a third tonearm, an Audiomods 10.5" Series 6 in the system with a Benz Micro Glider on it going into the onboard phono stage of the Trinov. Which is OK, but not excellent. I have a 4th tonearm that may come into play some day. 

So what do you like in good quality phono stages that may not be TOTL pieces. I know the Darlington is a popular answer. Graham Slee often is. Some folks like the SOTA Pyxi. 

Thoughts on output devices, topology and so forth are certainly welcome. Not a SUT user so that is not on the table. I have to admit that small format stages are interesting, like the Ray Samuels Nighthawk. 

 

Any thoughts?

neonknight

Yes, I know there’s a choice between balanced or single-ended input, but it’s still a single input, and doesn’t help for connecting two tonearms. My Boulder has two inputs, configured independently. It’s essentially dual phono-stages in one box.

Rogue Ares II Magnum sounded really good because of the tubes. However I always wondered how Rogue compares with the Hegel H10?

Wspohn, I and the internet remember the Classe DR3 as a 25W Class A amplifier that was indeed excellent sounding, but how are you getting 500W out of it, even in bridged mode? As I recall it ran quite hot even producing 25W owing to Class A operating.

I had, briefly, a Ray Samuels Emmeline 2 box phono stage. I say 'briefly' as that was how I learned that Positive Feedback reviews did not always translate into real life for me.

Now I'm quite happy with my NuVista Vinyl, but I know that you, OP, were less impressed. So, horses for courses. Maybe a Ray Samuels will work for you!