@merland100 I considered buying my dealer's ex-demo Simaudio 810LP. It's very nice. However, it only has a single input. I find it odd that a phono-stage at that price point only has a single input. I passed on it because I need two inputs at a minimum. I have since talked to someone from Simaudio at a dealer event and they didn't give me any confidence that will change any time soon. I bought a Boulder instead. More money, but I haven't looked back. I like Simaudio gear otherwise.
High Value Phono Stages
The current phono stage is an Esoteric E-03, which I am quite content with. I have an Origin Live Agile w Transfiguration Proteus on one input and an OG Kiseki Blackheart on an Audiomods 12" Series 6 on the other.
I have a third tonearm, an Audiomods 10.5" Series 6 in the system with a Benz Micro Glider on it going into the onboard phono stage of the Trinov. Which is OK, but not excellent. I have a 4th tonearm that may come into play some day.
So what do you like in good quality phono stages that may not be TOTL pieces. I know the Darlington is a popular answer. Graham Slee often is. Some folks like the SOTA Pyxi.
Thoughts on output devices, topology and so forth are certainly welcome. Not a SUT user so that is not on the table. I have to admit that small format stages are interesting, like the Ray Samuels Nighthawk.
Any thoughts?
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- 80 posts total
- 80 posts total

