Buying a new TT today


So I’m pretty hellbent on buying a new TT today! Or should I be?!?!? 
I started off kind of sour on vinyl several years back when I ignorantly bought a cheap TT that had a built in phono stage.... Talk about a disappointment! And a buzz kill for vinyl!
Anyway a year or so later I bought a Project Carbon Debut and it blew my mind!!!!  The step up in most aspects of the TT, carbon fiber tone arm/heavier plinth/much heavier platter/motor and remote position/better cartridge in a Ortofon m2red, along with the fact the it was now running through my Integrated’s Phono Stage was just such a leap in sound that I never expected, that now I’m looking for yet another leap like that again lol
Anyway, with pocket flush with cash and headed to two hi-fi shops I pause....
In my new price range, $2,000 or so, should I be looking for a new TT? Or a new cartridge for the TT I have ?
thoughts.
264win
I’ve noticed that questions about turntable upgrade on this forum coming from people who own those Rega, Pro-Ject and related belt drive turntables, we have over 50 posts about it, almost even week a new post (and same turntables) over and over again.

I can’t remember posts/threads from the new Technics (GR or G) turntable owners who are not happy about this Direct Drive and willing to upgrade. I do remember only optional (very expensive) tonearm upgrades for this deck. When people invest in Tri-Planar tonearm for their Technics SL1200G i think this is a proof how how this turntable/drive really is. But i can’t remember anyone ever posted something like "I bought this Technics SL1200G and i don’t like it". I can’t remember anyone ever mentioned any technical issue with this Japanese made Direct Drive.

But i read about technical issues with Rega and Pro-Ject every week on audiogon.

Some people just don’t want to learn.

Those Rega, Pro-Ject and all these brands simply can’t make anything even close to the Japanese high-end Direct Drive. And if we remember more great products from Technics it will be hard to find any better tonearm than EPA-100 under $1500 or EPA-100 mkII under $4000. And those older DD from Technics like SP-10 mkII (under $1500) or SP-10 mkIII (under $7000) are ultimate. Now new SP10R replaced them all. Stock tonearm on $1700 Technics SL1200GR is fine for what it worth.

I know for sure than none of those Belt Drive (Rega, Pro-Ject and related) owner never ever touched those Technics DD turntables (old or new).

Technics is only one brand from a bunch of amazing Japanese brands like Denon, Pioneer, Micro Seiki, Victor, Kenwood, Luxman ... All made superb direct drive turntables in the past, some still making them, some are gone. 
Please...some of the most expensive turntables in the world are uhm...belt driven🙄
Pro-ject's higher end turntables are very nice "belt drive" tt's. If u want a DJ TT then get the technics...at best its ugly...
Find an older scout.  They are just as good if not better than the new one.  
Please...some of the most expensive turntables in the world are uhm...belt driven

This is pointless argument. We’re talking about turntables with stable rotation and they are Direct Drive, no one using belt drive motor to cut lacquer (acetate) because you don’t want variable pitch on your record. Records are made on Direct Drive (Neumann Lathe to cut lacquer disc). Think about it.

Coreless Direct Drive motor is the most stable motor in the world, before new Technics there was JVC, Yamaha .... coreless DD motors.  


Pro-ject’s higher end turntables are very nice "belt drive" tt’s. If u want a DJ TT then get the technics...at best its ugly...

This is another pointless argument because the best Direct Drive turntables are NOT for DJs if you don’t know yet, DJs definitely adopted them because of the powerful motor and stable rotation. This is my ex Technics, do you think it’s a DJ turntable with Reed 3p "12 inch tonearm ? Or it looks ugly ?

Let me show you some and if the price is the argument for you then you will be shocked for how much this Denon Direct Drive goes for nowadays.

Pro-Ject is a joke like many audio components designed in the digital world of plastic toys. In this world turntables are not designed to last forever like it used to be in the 80’s. And the buyers know nothing about turntables today.



chakster,

"Pro-Ject is a joke like many audio components designed in the digital world of plastic toys."


That's a little harsh, don't you think?

I once helped a friend set up his Debut Carbon (Ortofon blue/ acrilyc platter) and it's an excellent deck. With the right record you'd never guess the total price. Just one level below the very best.

Yes, the Debut Carbon won't match the Technics for specs (but nothing else anywhere near the price will either) but it would still make an excellent first turntable for anyone (as would the Fluance, Rega or Audio Technica decks).

Wasn't the 1200G frighteningly close in performance to Michael Fremer's Continuum Caliburn deck?

Unfortunately vinyl replay much like CD replay depends very much upon the source recording. Possibly this explains why some audiophiles may find their music selection decreasing as their system resolving power improves.

Shows are often notorious for featuring a very limited but well recorded musical selection. 

Who wants that?