Platter mat insanity


I was doing an idler upgrade to my 401 (more anon) and when finished used the Keystrobe disk to ensure speed. I use a 10" EP as a platter mat. I played a bunch of albums and it sounded fantastic. On the 6th side, I noticed I'd forgot to remove the 4" strobe disc. Duh. I took it off and figured VTA was responsible. So I lowered the arm to see if that made it sound so good. Nope. Put back on the 4" strobe disk and raised arm. The awesome sound returned. So air under the record removed haze, smearing, flattened soundstage and muddled bass; and made it so more musical. Comments... 
128x128noromance
bdp24

... It was long ago established that an LP groove being traced by a phono cartridge stylus causes the vinyl to vibrate/resonate like crazy, especially if the vinyl is suspended in the air, with no surface below it to absorb and damp that vibration ...
Please tell us who you believe established this effect that you report as fact rather than theory.
David Fletcher, Marcel Riendeau, Peter Moncrieff, George Merrill, Austin Jackson. There are others, but that’s enough to get the sincerely interested started.
The record to platter interface is a critical design element in a turntable.

While it ranks behind bearing & speed accuracy in the hierarchy of things, it does make a difference and system tastes and interactions will definitely affect your preferences.

I liken the "free air" preferences to folks who prefer a little bit of reverb. There’s nothing wrong with it, but I’ve found this to be recording-specific - something I’m always wary of.

Strictly speaking, you’re trying to drain as much stylus chatter (noise) as possible from the LP, into the platter and the right mat help in this regard.

This is where matching the acoustical impedance comes into play. The closer the speed of sound of your platter surface matches that of an LP, the more absorption (and less reflection) you’ll have.

It’s the reason we like our carbon fiber top plates (and graphite before that). It’s also the reason we’re puzzled by preferences for acrylic over PVC in monolithic platter designs, because PVC is better behaved with respect to absorbing noise from the LP. It’s not as pretty as flame polished acrylic, and many folks buy with their eyes instead of their ears, but that’s a story for another day.

Cheers,
Thom @ Galibier Design
My search stopped with graphite. I use a 1" slab of graphite atop the platter, like Nottingham Analogue (Tom Fletcher design).

Does two things - couples to vinyl, and deadens the platter.
I am feeling much better about the design-intelligence in the 1/4” thick rubber mat on my Technics SL-1700mk2 turntables after this thread of conjecture. Seems Good ole Technics had it right all along, despite less than optimal tonearm geometry. Yet another reason to ditch the archaic SL-1200mk2 derivative.