Does anyone have a digital system that is as involving as their analogue front end?


I have a good analogue front end. Not stratuspherically good but good enough for this comparison. VPI Prime Signature 21 turntable, Pass Labs XP-25 pono preamp, Pass Labs XP-30 preamp and Hovland Radia amp. It has a lovely, very involving sound. On the right recording, I just drop everythng and am drawn in to listen.

My streamer, on the other hand, is decent but not spectacular. It is better than my CD player, but it is not jaw-dropping like my analogue front-end. My question is this: does anyone have a high-end, tier-one streamer (dCS Bartok Apex, Lumin X2, or something like them) that can rival a good analogue system?

audio-b-dog

My TT is a Well Tempered Verselex with a Shelter 501mk3 cart and a Line Magnetic LP-33...  this sounded very nice to my ear, but I got digitally curious and tried out a Bluesound Node.  Sure enough digital (Qobuz) was cool and convenient, but the SQ wasn't very close to the analog side.  I went down the rabbit  hole on digital and ended up with a Lumin X1...  The X1 put my TT to bed for the last year+ based on musicality and transparency...  delightful, very analog sounding product and very engaging.  

I recently got a bug to get the vinyl side back in the game.  With some help from Chat I decided to start with a phono stage change.  A few weeks ago I acquired a Sutherland 20/20 (from a member) and have been integrating it into my system with setup and cabling changes.  I've just gotten back to the point where the vinyl is on par with the X1 and both are very engaging...  vinyl is maybe a little more lively sounding, but it's very subtle.

Now of course there's the X2...  and the game (obsession) continues.  There's always a path to better SQ and you can definitely get digital to sound as engaging as vinyl.  What happens when you get there is up to you.

Frank

I am very encouraged by this thread. Thanks for the question. I have lurked on these forums for decades, not having the resources to join in the conversation.

It seems to me the one thing changing the most over those years is the improvement of digital equipment and content.

I have several hundred NM vinyl albums I picked up in my youth that sound great. Against a million digital songs, however, how can that library ever be as "involving"? I get that OP's involving was referring to equipment, but another critical consideration, imo, is the source material (as some have stated).

A recent example came when listening to Fragile by Yes. When I compared the 2025 remaster on Spotify lossless to my OG vinyl, it was as if Jon Anderson was not even in the room on the vinyl. I'll never play that record again and it makes no sense for me to spend my grandchildren's money building (rebuilding) a vinyl library. So, I have chosen to fund the equipment supporting  the ever improving digital channel. In the end, I find digital very involving on both the equipment and content levels. I also think it has no limit ahead. Look how far it has come.

To be fair, an easy choice where I don't have the investment in the analog.

Enjoy the music!

@xmbw4 

I've borrowed plenty of cables from the Cable Co., but DACs? They don't carry that many (certainly not Ayre). The only DAC my contact there has mentioned I could demo is the T+A.  Which DACs have you auditioned from them? 

For me the answer is yes, but, my ears are probably not the best... Of course, you have to invest accordingly in your digital front end.  I have done a lot a A/B testing to answer this question, and the difference in sound for me is in the mastering.  To me a newer DDA album sounds the same as digital streaming of that same mastering.  An old first pressing AAA album will sound different (better) than streaming a digital conversion/mastering of those old original master tapes.  I enjoy streaming very much (Qobuz) and I would recommend to all Audiophiles to build a good digital front end and add a high end music subscription service.