High Value Phono Stages

@lewm 

I would take issue with your idea that it is relatively simple to disconnect and reconnect the DIN connector.  That is only true if your plinth permits easy access to the DIN connector by reaching in from underneath the top surface of the plinth

I didn’t mean that as a general statement (I should have been more clear). I was referring to my particular use case, which is why the Boulder with two inputs is still suitable for using my three arms in rotation. I have a Clearaudio Master Innovation. The DIN connectors are exposed under arm boards that mount swinging away from the plinth where the arm mounts. It literally takes me about 5-10 seconds to remove the DIN connector from one and attach it to the other. 

That’s some table @dwette very nice!

@neonknight I use Whest Two.2. It’s relatively compact. Has one input. It’s not romantic or sweet or warm sounding. Just very transparent and honest. It’s super quiet as well. 

McIntosh MP100 is excellent as well. 

Another compact form phono stage that’s been receiving high praise is a Softone tube unit. It is fairly limited in settings but if it matches your cartridge may be worth considering. I really wanted to try it but opted for Whest because I need XLR outs. 

Former Herron VTPH-2A user now Aurorasound Vida MK2 user. Small format, excellent sounding, flexible, multiple inputs. We sell lots of them—always great feedback. Dealer disclaimer.

A transimpedence phono stage such as the Sutherland Loco gives you the sound of the cartridge without any color or sound signature.  There is no loading of gain or impedance so what your getting is a true sound of your cartridge.  If you are changing carts and arms this set up will give you the true sound of those components.  This has the limitation of only working with low output moving coil cartridges 

Good luckn