Upscale Audio might be able to help with your selection.
Tannoy anyone? Cheviot Legacy vs. Stirling GR
Good Morning and happy holidays,
Having just spent a day over at my friend's new listening shack/man cave with my Leben driving his Tannoy Stirlings, I fell in love and am thinking I might just need a pair myself. So, I could use a little help deciding between the Stirling GR's and Cheviot Legacy's and am curious if any of you have experience with both and what you hear/feel is the difference between the two.
If it helps, I listen to a pretty wide variety - mostly singer songwriter, alt country, some classic rock and jazz. A little hiphop, no metal and very little classical.
Thanks in advance for your insights.
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- 52 posts total
My Ardens are about 20" off the front wall and the sound is not negatively affected if i move them closer to the wall. However, the soundstage is really affected by toe in. The Tannoy recommendation of having the driver axis cross a few feet in front of the listening position is true in my experience. They sound best with cross eyed toe in. The sweet spot is fairly narrow, so the dual concentrics are not the best if you critically listen with more than a couple people. |
Thanks, @russ69, I spoke with them last week and am looking for some real world experiences. They're pretty straightforward and helpful though and if you're lucky enough to get Kevin on the phone, pretty dam entertaining to boot. |
Although I'm using Tannoy Berkeley's I'd agree with the previous advice about getting them at the correct height, ie the tweeter at or near ear height. I've seen photographs of when Tannoys were used at the Abbey Road studios. They had them placed upon what looked like wheeled tea trolleys that must have been 18-20 inches off the ground. That would certainly make placement a lot easier, and I guess exact height wouldn't matter so much if you're listening from a distance over 10 feet away. |
- 52 posts total