DAC Shootout Starts This Weekend


Okay...in another thread I promised to do a side-by-side evaluation of the Audiobyte HydraVox/Zap vs the Rockna Wavelight. Due to the astonishing incompetence of DHL this has been delayed. At the moment, I have a plethora of DACs here and am going to do a broader comparison.

I am going to do a compare of the Rockna Wavelight, Rockna Wavedream Signature, Audiobyte HydraVox/Zap, Chord Hugo 2, Chord Hugo TT2, Bricasti M3, Bricasti M1 Special Edition, Weiss 501 and the internal DAC card for an AVM A 5.2 Integrated amp as a baseline.

For sake of consistency, I am going to use that same AVM integrated amp driving Vivid Kaya 45s. I may branch out and do some listening on other speakers (Verdant Nightshade of Blackthorn and/or Wilson Benesch Vertexes) but want to use the Vivids for every compare as they are the fullest range speakers I have here. For sake of consistency I will use a Chord 2Go/2Yu connected via an Audioquest Diamond USB as a renderer. The only exception is the Hugo 2 which has a 2Go directly attached to it. I will use a Roon Nucleus+ as a server in all cases.

My plan is to use the same five songs on every DAC; In a Sentimental Mood from Duke Ellington and John Coltrane, Be Still My Beating Heart from Sting, Liberty from Anette Askvik, Duende from Bozzio Levin Stevens and Part 1 of Mozart String Quartet No 14 in G Major from the Alban Berg Quartet. The intent is to touch on different music types without going crazy.

I will take extensive notes on each listening session and write up a POV on the strengths of each unit. I am going to start this this Friday/Saturday and will be writing things up over the next month or so. If you have thoughts, comments or requests, I will be happy to try and accommodate. The one thing I am not going to do is make the list of songs longer as that has an exponential impact on this and make everything much harder. If and when other DACs come in on trade I may add to the list through time.
128x128verdantaudio
@jjss49 sorry to hear about your friends in Fort Lee.  We live on a higher floor and our garage is above ground so it was not a huge deal for us luckily. 
100% agree with Verdant Audio's thoughts below. I've had the pleasure  of listening to the Weiss in my system for a couple of days so far. 

The Weiss is a stellar high-resolution DAC.  Precise, controlled, neutral - listening to the Weiss, I don't have to suspend much disbelief to feel like I'm in the recording studio. It toes the line of being objective and thoroughly enjoyable. I'm pairing it with a 30w tube/SS pure class A amp (Riviera Audio Labs). It's a beautiful system match.

My other available DAC is a Roon-ready totaldac. It offers an equally alive and engaging sound -- but a different kind of sound. There's a certain je ne sais quoi -  a seductive analogue flavor and goosebump factor. Whatever it is, it's hard to resist. Tres chic.

Both are great. My favorite is whichever one I'm currently listening to.

The current DAC market is both easy and hard. Easy in the sense that there are many excellent DACs that sound different in easy-to-hear ways. But it can be hard to weigh those differences and decide which DAC to buy for keeps.
Nice, intelligent thread, Verdant jumped a lot of hoops in keeping things relevant and in-line, thank you.

I can imagine what turntable owners with multiple arms and cartridge combinations go through for various recordings and preferences!

FWIW, I own a tube-based Dac from Vu Jade Audio aka (bigkidz) 
i too have a weiss dac501 incoming... will be interesting to compare against the chordscaler/tt2 and my fave tube dac audio note 4.1
I appreciate this informative thread.  I wonder if I could seek just a bit of clarification.  You've used the term "sibilance" a number of times in your descriptions.  Sibilance is a natural "s" or "sh" sound that I would expect to hear in anyone's speech or song, recorded or not.  When you use the term, though, do you mean "sibilance distortion"? 

Thank you.