Emotional rollercoaster

cd318

I think it is largely a sham. One largely perpetuated by reviewers, snake oil tweak merchants, unscrupulous dealers ...all too many other vested 3rd party interests who may want to offload their mistakes ... they know exactly what they’re doing, and where their bread is buttered. (It’s now a part of a greater malaise affecting the whole mainstream media - but that’s another story) ... Tales of disgruntled, disillusioned, exhausted audiophiles who eventually jump off the upgrade train and downsize with great relief and no loss of sonic satisfaction are legion.

I too have many bitter memories / experiences as a consumer. My whole LP12 saga leaves me fragile ... the truth about cables, amplifiers, CD players, MP3 rates, DACs etc has been well understood for decades.

Unfortunately, there are many, many selfish vested interests in suppressing these truths.

Wow, you sound really unhappy. You might consider pursuing another hobby altogether.

Your "truths" obviously aren’t "supressed" because here they are, and I’ve even copied some of those "truths" in this post.

    mid-fi-crisi,

    If discovering you don't need to spend big bucks to get decent sounding results in this hobby plops you down on an allegorical emotional roller coaster ride, perhaps you need a new hobby.
     Perhaps you'd find knitting more soothing to your psyche.

Tim

If you build a high-end setup that sounds like sterile high-tech "hifi", and sounds by far its best on stuff like Diana Krall (and other audiophile demo fodder), then you’ve opened yourself up to the possibility that decent midfi gear from yesteryear that plays "loud and proud" will actually present a better connection to most of the music you actually love, even if it starts rolling off at say 14 kHz and has some boominess in the bass.

We don’t know what we really want a lot of the time. You can’t hit the target until you know what it is.

Random upgrades may well get you nowhere fast.

Better to first hear the sound you want and know what it is then pursue achieving it.

You have to listen to a lot of things usually to know. Both live music and recorded.

Then read a lot and learn about how hifi components work and forge out a plan.

Then make changes or tweaks from there until you finally hit the bullseye.

Also be aware along the way that all recordings sound different. They range from really bad to really good. Don’t get caught trying to put lipstick on a pig. Learn what specific recordings sound like on a good system and use that as a reference.

Good things don’t come easy. Good luck!

cleeds,

'Wow, you sound really unhappy. You might consider pursuing another hobby altogether.'

Yes, me and the OP both! This kind of disillusionment almost inevitably awaits every unsuspecting audiophile caught up in the upgrade path.

However, just like the OP, my passion for music has not dimmed. In fact it is as strong as ever. I now can enjoy music on a variety of systems : my phone/ headphones/Bluetooth speaker, my PC, or on my separates system.

The issue here is the way some of us feel we were mislead.

As the OP said,  

'I was listening to about $60 of hi-fi equipment that sounded extraordinarily nice and made me wonder why I'd spent a hundred and fifty times that much "improving" my main system over the years.'

That is the question here, isn't it?

You see when many of us started our journey towards seeking our version audio nirvana we had very little idea of what path to follow, with no map/guide and very little idea of what the end destination might be.

In the absence of both knowledge and experience (two essential pre-requisites before embarking) many of us tended to accept what we had read. After all, these were experienced learned men of the hi-fi world speaking. Weren't they?

There lies the problem.

Today, thanks to the internet, anyone new to this hobby can look around and share others experiences and be far better prepared for their journey than their predecessors ever were.

More skeptical and less gullible, I hope.
As they say, it's always better to think for yourself. Ultimately it's far more rewarding despite the extra effort.



mulveling,

Good for you brother, knowing of that particular all too common 'audiophile demo fodder' trap.

It took me ages and ages to realise why they hated playing mainstream recordings at demos or shows.

In fact at one demo I was even told, "If you're going to listen to that 60s stuff, you may as well stay with the system you've got."

At the time that didn't compute, but I now realise that those words were not very far off the mark.

I still love audio, I still love music, and though I wish my journey had been easier, I still dream of that audio nirvana.

Just not so vividly now.