Stereo5
As always, what works great in one system may not be as good in another. For me, the Triton 1r's are ideal. Their high sensitivity (92 spl) and the fact that they have their own powered bass drivers allows me to drive them effortlessly with my modestly powered 50w tubed mono blocks (Cary Audi Six Pacs). Im using a Prima Luna Dialogue Premium tube pre amp and the combination is so musical that I dont even think about hardware anymore. I'm sure there are things I could do to tweek and improve the overall sound but it sounds so good that I'm reluctant to touch anything. I have a Classe 175w SS stereo amp as a backup for when I just want to have background music for parties, etc. Helps keep hours off the tubes. Listen to mostly Jazz and my source is a relatively unknown CD player from Sweden (XTZ 100) which is build like a brick shithouse and pairs up nicely with my gear. Only thing I'm considering is adding a Schitt Bitfrost 2 outboard DAC. Very, very happy.
J.Chip
As always, what works great in one system may not be as good in another. For me, the Triton 1r's are ideal. Their high sensitivity (92 spl) and the fact that they have their own powered bass drivers allows me to drive them effortlessly with my modestly powered 50w tubed mono blocks (Cary Audi Six Pacs). Im using a Prima Luna Dialogue Premium tube pre amp and the combination is so musical that I dont even think about hardware anymore. I'm sure there are things I could do to tweek and improve the overall sound but it sounds so good that I'm reluctant to touch anything. I have a Classe 175w SS stereo amp as a backup for when I just want to have background music for parties, etc. Helps keep hours off the tubes. Listen to mostly Jazz and my source is a relatively unknown CD player from Sweden (XTZ 100) which is build like a brick shithouse and pairs up nicely with my gear. Only thing I'm considering is adding a Schitt Bitfrost 2 outboard DAC. Very, very happy.
J.Chip

