Orpheus10, apparently not following his own thread asks:
The reason I say "apparently not following his own thread" is a couple others besides me have made the same point. You missed it, and may regret asking, but I am more than happy to expand and expound.
Ever stop to ask yourself what exactly it is about the very best music that makes it the very best music? Maybe you have. Then again maybe not. Even if you have though I bet the one idea that never came to mind was it walks the thin line between order and chaos.
Order, because there’s rhythm. But nobody wants to hear a metronome, so we introduce a little chaos. Change it up a little. Syncopation. Tempo. Whatever. Melody, we repeat but just enough, not too much. So we have a chorus, see? Neil Diamond comes along, what is so freaking good about Done Too Soon? Its a unique song structure unlike any other. Go on, listen, you will see.
Got it? No? Dynamics. Volume. Even the best melody, most fascinating lyrics, you name it, nobody is gonna want to listen if it just drones on and on and on never varying in volume. That is not even music then. Its noise.
Which brings us to Santana. Check it out. http://dr.loudness-war.info/album/list?artist=Santana&album=Africa+speaks What this is telling you is they compressed the hell out of it. (And notice, the LP compressed less than CD- and I thought records lacked dynamic range? So much for that old trope!)
Abraxas is famously good music. Was listening to it just the other night. One can’t hear this on my system and not feel Santana’s mastery over the power in that electric guitar as he takes a note from barely audible to skull searing and back again so fast you’re like did that really happen? Compare that to Supernatural or Africa, where the whole damn album from track to track every millisecond is just skull searing loud. Noise. Not music. Noise. What you have when you compress it this much. Abomination.
Why? Now we get to the sell out. A lot of music is still played on car radios and other formats where people are doing lots of distracting stuff while absent mindedly searching and randomly switching for something cool to go in the background. Pretty much the opposite of what audiophiles do, which is why its so dismally circling the drain that hardly anyone here gets this and I have to expand and expound on what ought to be manifestly evident. Because Carlos Santana gave in to the dark side, let the producers compress his music into noise, all to get the fleeting attention of the short attention span crowd in order to sell them a few more copies of noise.
Well, you asked. So there you go.
"Seriously, no one even thinks to comment on the way a once great talent completely sold out to the dark side? On an audiophile site? Circling the drain, we are."
Millercarbon, could you expand, and expound on that statement; I didn’t understand what you meant?
The reason I say "apparently not following his own thread" is a couple others besides me have made the same point. You missed it, and may regret asking, but I am more than happy to expand and expound.
Ever stop to ask yourself what exactly it is about the very best music that makes it the very best music? Maybe you have. Then again maybe not. Even if you have though I bet the one idea that never came to mind was it walks the thin line between order and chaos.
Order, because there’s rhythm. But nobody wants to hear a metronome, so we introduce a little chaos. Change it up a little. Syncopation. Tempo. Whatever. Melody, we repeat but just enough, not too much. So we have a chorus, see? Neil Diamond comes along, what is so freaking good about Done Too Soon? Its a unique song structure unlike any other. Go on, listen, you will see.
Got it? No? Dynamics. Volume. Even the best melody, most fascinating lyrics, you name it, nobody is gonna want to listen if it just drones on and on and on never varying in volume. That is not even music then. Its noise.
Which brings us to Santana. Check it out. http://dr.loudness-war.info/album/list?artist=Santana&album=Africa+speaks What this is telling you is they compressed the hell out of it. (And notice, the LP compressed less than CD- and I thought records lacked dynamic range? So much for that old trope!)
Abraxas is famously good music. Was listening to it just the other night. One can’t hear this on my system and not feel Santana’s mastery over the power in that electric guitar as he takes a note from barely audible to skull searing and back again so fast you’re like did that really happen? Compare that to Supernatural or Africa, where the whole damn album from track to track every millisecond is just skull searing loud. Noise. Not music. Noise. What you have when you compress it this much. Abomination.
Why? Now we get to the sell out. A lot of music is still played on car radios and other formats where people are doing lots of distracting stuff while absent mindedly searching and randomly switching for something cool to go in the background. Pretty much the opposite of what audiophiles do, which is why its so dismally circling the drain that hardly anyone here gets this and I have to expand and expound on what ought to be manifestly evident. Because Carlos Santana gave in to the dark side, let the producers compress his music into noise, all to get the fleeting attention of the short attention span crowd in order to sell them a few more copies of noise.
Well, you asked. So there you go.