Does anyone play two pairs of speakers at the same time?

Been following but never joined in, until now. I run a pair of Klipsch Khorns, a pair of LsScalla's and a pair of Heresys (mounted up high) in the corners of the listening room.I use 3 Mcintosh MC252 amps and 2 Mcintosh C52 preamps to control everything. It is set up as a 2 channel system and sounds amazing. The standard 2 channel 2 speaker system was always my go too, but when you have Klipsch  speakers everywhere, you kinda want to use them. It is absolutely worth trying the multi speaker layout. Have fun with it and forget about the labels.

What labels?

I used to run Klipsch Chorus II on the bottom with Klipsch Forte II on top of them turned upside down for HT and karaoke parties. The fun was unparalleled as the sound was huge and there’s something about tall sound.

But sure I might have given up some "audiophile" goodies but those don’t exist in 99% of systems due to bad rooms even though the listener often thinks they’re hearing them.

And thought double Advents were wild! Would love to hear that Klipsch combo!!!!

I’m glad to see this topic, so this is my story.  I’ve been building my system over the past few years, when I began with Magnepan 1.7i and Odyssey Audio amps/Candela preamp.  I then auditioned Focal Sopra 2 and Electra 1038BE2’s of which I preferred the 1038’s over the Sopra2.  On to Pass Labs X250.8 and Pass Labs XP-20 preamp.  Then I purchased all Acoustic Zen cables (Absolutes and Hologram 2’s).  Also Mutec’s MC-3+USB and their master clock Ref 10.  The 1038be2 were performing beautifully, in fact I didn’t think I could be happier as the imaging, soundstage and ability to give me all the emotion of a performer/performance as possible, was giving me everything I had dreamed of in a high end system.  

But there was one thing which was bothering me and didn’t sound perfect.  It was with vocals.  They just sounded slightly restricted, somewhat truncated, or not naturally expanding in space.  I tried repositioning etc. to no success.  I was convinced it may have had something to do with the size of the speaker cabinets.  Nothing would convince me otherwise and it was bothering me.  Yet these speakers sounded fantastic across so many different types of music.  Precise imaging and sound which would soar wide and high.  There was one other issue too, now that I think about it.  I wanted to hear the instruments larger and more life sized.

It was November when I saw the ad for Upscale Audio and the 1/2 price of perhaps the last pair of Scala Utopia 3 being sold new in the US.  I couldn’t resist.  After putting around 1000 hours on them (as well as installing isolation feet), I was very impressed with the scale of instruments and vocal reproduction was just sumptuous.  But...
Songs which used to move me didn’t quite give me the same reaction as did on the 1038be2.  Nor did they go as wide.  Were these wonderful new speakers just too laid back?  Then depths of the sound stage reach was much deeper and the sound was so refined,  but I found myself playing them louder than the Electra’s hoping to extract some of the characteristics I enjoyed with the Electra’s.
I took my Electra’s back out of their boxes and placed them just outside of the Utopias (separated by a scant inch and slightly ahead (approximately 2”-3”) to compare the sound.  I was pleased once set up, as the tweeters lined up almost perfectly.  Both gloss black, they looked like good friends next to each other.  One, a touch shorter and wider, the other a bit taller and slim.

Yes, the 1038’s performed as before in all aspects.  So I pulled out my Odyssey Amp and just for curiosities sake I ran both speakers at the same time through the two different amps.  (Both pre-amped  through through the XP-20).

Oh I was on to something!   First tracks I tried were female vocals and the problem of the 1038’s alone (somewhat restricted vocals) was gone, both sets of speakers were acting as one, but better and bigger.   Perhaps with the signal split between the Odyssey and the Pass labs, they were not in perfect harmony, but it was very close.   

So I ran spades from one Focal and banana plugs from the other into the Pass Labs X250.8 alone.

A revelation. I was now listening to One speaker with eight drivers per side, working in absolute harmony.  A speaker greater than the Scala alone, big, bold, precise, natural and delicate if called for.  The laid back character of the Scalas was completely gone with the Electra’s pulling them into a now engaging, emotional, complete presentation of sound.

The similar DNA of the two, (Beryllium IAL tweeter, 3rd generation “W” cone mid and bass drivers, yes the crossovers are different as are the “flower power” driven mid of the Utopia) can only benefit these two speakers working as one.
What surprised me too is how well the Pass Labs performed driving these two speakers.  Perhaps because there is so much more energy produced, the amp stays in Class A  much more than it did when I was running the Scalas alone at higher volume.  (Played together they need not be driven as loud to create such a satisfying and complete soundscape..)   This says as much about the Pass Labs amps as it does the Scala/Electra combination.  In my opinion, based on my experience, this is a phenomenal combination of great products, in which the whole betters the sum of its parts.  

I feel fortunate to have been able to experiment as such, and would advocate others to do the same.  You may be very surprised at the results as I was.