I don’t think you can rely on the original Grace spec for compliance of the Soundsmith OCL Ruby suspension. Best to ask Peter Lederman. Its highish 1.8gm tracking force suggests a lower compliance than a stock Ruby.
I have an F9 body with the Soundsmith OCL stylus assembly. It’s up there with the best of the vintage MM/MI. It has worked well with a lightweight Trans-Fi Terminator, a Micro Seiki 808X(or the more generally available 505) and a SME 3012R(with one-half of it’s split counterweight removed to lighten mass). I haven’t yet tried it with a light pivot arm-- maybe one of these days my Signet XK-50 or EPA-100.