Tortuga Preamps

Passive with LDR and balanced connections.
Purportedly very transparent as it does not use transistors.
However, measured here:
The data seems to indicate significant distortion at attenuated volume levels.
If so, does this conflict with subjective opinions of transparency? How would this distortion manifest in listening, examples?

Anyone happy with theirs?

Thanks for your input
I purchased a while ago, the Luminous Audio Axiom, Series 2, with Walker Mods, 3 in, 2 out, single ended, with remote, and I love it. It is not LDR based. Enjoy ! MrD.
I have owned two LDR preamps. Extremely happy with mine.

The data seems to indicate significant distortion
Been there and done that with "active forced matching".

I use "quad matched" sets of the far more expensive NSL32RS2S "sorted" LED/LDR’s which also go lower in impedance than the non "S" version, then none are "over rev’d" as they all "rev" the same.

By using "active forced matching feedback type circuitry", which btw measures the the output resistance of the ldr’s, makes it an active preamp not true passive.

KISS: spend the "man hours to quad matched them" at different points, and then they all "rev" at the same, and also stay totally passive, and sound better for it.

Cheers George

Sounds interesting! Did you swap out these LEDs in a build or preexisting Tortuga. Please elaborate:-)

Does quad matching lower the distortion?
George manufactures the Lightspeed Attenuator. One of the the best bargains in audio. I have owned one for 10 years it seems. My old friend Pubul57 (RIP) started this thread years ago to discuss the Lightspeed:
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If only the Lightspeed had 3 inputs......I would sacrifice a " little " in sq for the convenience. George feels it sacrifices a lot in sq, and who am I to doubt him. Likely the best passive out there. Which, to me, means, it is the best, as I no longer hear the benefit ( s ) of an active preamp ( ime, imo ). However, my Luminous is quite " invisible ". YMMV.....Enjoy ! MrD.
If only the Lightspeed had 3 inputs......I would sacrifice a " little " in sq for the convenience. George feels it sacrifices a lot in sq

Like I say to all that ask for a multiple input Lightspeed, you can always get one of these to put in front of it, that way you still have the option to leave it out, when you want seriously listen without any source switching in the signal path.
As that’s what the Lightspeed Attenuator is all about, "no contacts at all in the signal path", volume control or input switches, from your source to speakers

Cheers George
George, I had thought that the Tortuga's calibration of the LDR's LED control current curve is invoked periodically by the user on an as-needed basis, not "actively" or on-the-fly.  If it's performed only periodically, how will this degrade SQ? 
Recluse, I enjoyed mine very much. It is very open and transparent. I was surprised to see that it measured so poorly. I have gone back to my active preamp due to selling my separate phono stage.
It’s an active circuit attached to the output, which is the audio signal, and not being match need calibrating at every increment of volume adjusted to stay calibrated.
If you have "say" 3 led/ldr’s (could be two or one, as they are not matched) of the 4 led/ldrs running at "x" impedance, the other/s may get over worked trying to keep up and visa versa which shortens their life span.
Also you need to use the NSL32SR2S to get low enough impedance to get the lowest volume.
Just look at the data sheets if you can understand them, of all that I have posted up many times here and at DiyAudio, and look at max 20mA brightness for the lowest impedance attained.

Cheers George
Love my Tortuga !
That’s good stay with it, they are still way better than any other form of passive or active volume control.

Dartzeel use them the same way I do as their "Pleasure Control" in their $18k preamp
Half way down the page, explains the "Pleasure Control" (Lightspeed volume control), patents were never granted, I saw to that being the originator back in the 70’s 80’s

The only thing that can better them and the Lightspeed Attenuator, is direct connection between source and poweramp using the sources digital domain volume control, but these must be used at or above 75% to avoid any "bit stripping" IE: 16bit resolution down to 14bit and so on the lower you go with them.

Cheers George
Thanks for the elaboration,
Sounds intriguing.

Are these still being made and what is the link to purchase? 
Are these offered with real balanced connections.?
Are these still being made and what is the link to purchase?
Are these offered with real balanced connections.?

Yes send a PM or there are many other ways just Google, or if you have the diy skills build one for yourself, as I've given all the instructions here.

And no I don't believe in xlr, unless your in a studio with with lots of noise problems, extra long runs of interconnects.
My customers use these if they need, XLR to RCA adapters, Neutirk being fair value for money, some are much less expensive

Cheers George 
I try desperately to stay out of the subjective vs. measured gets so old and tired.

I try to keep it simple. Do you like what you hear? Yes? Stay with it.

Don’t like what you hear? Try something else.

Is that so hard?

I know people read all these things about what’s good and what’s not and what are they to believe? Please, tell me what to believe!!!!

The neurochrome report screams one thing and one thing only in my view. It does a very good job at making the point that measurement (beyond a certain threshold point) is simply not relevant or informative.

One would think that neurochrome’s measurements would indicate that the Tortuga model that was measured would sound awful. It does not!

Moreover, we are several iterations beyond the model measured by neurochrome and it only gets better.

Trust your ears.