Binding posts might be upgraded, and even better crossover caps & coils than the standard "upgraded" package, structural integrity/bracing, it would be enlightening to actually find out about the upgrade choices.
Tekton Double Impacts
Anybody out there heard these??
I have dedicated audio room 14.5x20.5x9 ft. Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs. For the vast majority of music I love this system. The only nit pick is that it is lacking/limited in covering say below 35 hz or so. For the first time actually buzzed the panel with an organ sacd. Bummer. Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's. Really don't want to deal with that approach.
Enter the Double Impacts. Many interesting things here. Would certainly have a different set of strengths here. Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.
I've read all the threads here so we do not need to rehash that. Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers
Thanks.
I have dedicated audio room 14.5x20.5x9 ft. Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs. For the vast majority of music I love this system. The only nit pick is that it is lacking/limited in covering say below 35 hz or so. For the first time actually buzzed the panel with an organ sacd. Bummer. Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's. Really don't want to deal with that approach.
Enter the Double Impacts. Many interesting things here. Would certainly have a different set of strengths here. Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.
I've read all the threads here so we do not need to rehash that. Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers
Thanks.
Showing 50 responses by klh007
David, The Comet/Ion combo is difficult to integrate into a HT scenario, but I use them in a 2ch and TV situation and voice are still correctly placed for TV sources, and very clear/transparent in the room presentation. What are your amp contenders? I can't figure out any way to incorporate the latest HT codecs and use the Comet/Ion except the RCA inputs and have an A/D conversion? |
Courtesy of Mark and Will of LTA, I got a chance to hear the Micro-ZTOL/ZOTL-40 pair at AXPONA, just a sensational sounding combination that bested a SS pre/power easily, more open, faster, better dynamics, and the ability to portray emotion in a voice. Well built, and a true bargain in the high end arena. |
David Berning told me the maximum power from the MZ 2 S comes at 3 ohms, and drops as the impedance rises. There are more products coming from LTA, Mark, and David, keep your ears open. At AXPONA I heard the MZ2S/ZOTL40 combo leave a SS pre/amp of similar cost in the dust, the speaker manufacturer loved the LTA gear and ended up visiting David in Potomac to hear more Berning kit. |
Another product similar to the Lyngdorf TADI 2170, is the combo from Exogal, Comet & Ion. The Exogal combo keeps the signal in the digital domain as well, sounds superb in my system. grannyring is right about the future, look for more all in one all digital units coming down the pike. I will be able to hear the DIs soon as one of the posters here lives close to me, I'm looking forward to the audition. |
I'm with imswjm, the TDAI 2170 seems almost too good to be true. No interconnects, 1 power cord, short signal paths, plenty powerful, RoomPerfect, and grannyring has tried to advance it's sonics with other amps unsuccessfully, the unit as is is top shelf. It can take HDMI in, so BluRays get included. Grannyring, have you any opinion on the ICC (INTER-SAMPLE CLIPPING CORRECTION) ? I'm really surprised the TDAI 2170 hasn't gotten more traction/exposure given the stellar reviews? It's too bad he doesn't own DIs. |
@porcheracer, To solve your hum problem, call Mark at Core Power Technologies and give one of their Equi=Core balanced conditioners a try. No risk to try, and many times I've seen hum issues solved on the spot.It's basically a transformer based conditioner that does the job without crushing dynamics, 720-317-9141, https://www.corepowertechnologies.com/ |
vitop, Kenny's suggestions are spot on. If you don't want to DIY, search around your town for a company offering record cleaning service. We are lucky in the DC/Baltimore area to have Vinyl Revivors which offers every level of record cleaning. You might also do a TT tuneup, especially adjusting VTA, and listening to various heights before ripping your collection. |
Direct quote from JA about the Impact Monitors;
When I first saw the Impact Monitor's array of seven 1" dome tweeters, I wondered how it could possibly work. But its measured performance shows that this unusual design is not compromised—I keep coming back to that superbly even on-axis response—and that the array works well to control the speaker's treble dispersion.—John Atkinson My Moab review for AV Showrooms mentions why I believe they are a great bargain and check many of my must have boxes, but I also talk about the large size, no veneers only colors, upper octaves resolution can be bettered( by adding a Be tweeter as an option on the Tekton build sheet), and they need a big room to completely disappear, so not perfect but close to the best for far less, and their price point makes them affordable for most of us. |
vitop, In reference to your ZOTL 10 comments, I find the LTA gear responds dramatically to tube rolling to match the sound you want with your system. The MZ2 needs to be gain matched with your system, the stock unit may have too much gain when used with highly efficient speakers and can sound a little bright/thin, tube rolling can lower the gain and restore the magic the MZ2 is fully capable of producing. The 10 can also be massaged with rolling glass. LTA and David aren't done yet, more goodies are coming from the collaberation. |
David, I have heard Greg's Rival's at 2 shows with BP kit, always fun, engaging, wildly dynamic and live sounding, rooms I just want to hear what music they're going to play next. I heard the DIs at Lance's, not broken in and with prototype tubes, very dynamic, great detail along with nice tone and richness, bass a little light and soundstage just needed some more work on placement, a real affordable bargain in the High End, and soon I'll hear them broken in with Mirror Image or Benchmark SS amps. Please give us your thoughts on a comparison between them. |
schw06, Thanks for your impressions of the TDAI-2170, especially with a bias against it being so good. I'm not surprised about the soundstage/imaging being stellar as RoomPerfect is top notch, but your findings about tonal saturation and rich texture being better than the LTA combo is eye opening. I really want to try the TDAI- 2170 in my system soon. |
Bill, You are spot on about no buzz about the Lyngdorf TDAI-2170? The reviews are exceptional, RoomPerfect is top shelf, and the Direct Digital amp topology works great, takes HDMI in, integrated amps are "in" currently, why no love for the 2170? I hope the dealer in CO brings one to RMAF. It's exciting to hear about SE versions, and I'm really looking forward to teajay's Ulf review. |
grey9hound, Jerry at 10 Audio certainly agrees with you about the ST-100; http://www.10audio.com/rogue_stereo100.htm |
porcheracer, When the TDAI-2170 is fed an analog signal, it does an A/D conversion and still does it's digital amp trick, PCM to PWM directly driving the output devices w/o any DAC involved. The Exogal combination of their Comet DAC and Ion amp make another digital amp competitor from the brains behind legendary Wadia. |
I talked to Eric at RMAF, the DI SEs have specially made for Tekton Eminence drivers compared to OEM in the DIs. He also mentioned a worthwhile improvement in the DI SEs over the DIs, a genuine step up. Eric came across to me as a brilliant, driven, compassionate about music designer who decided to go the unconventional route and follow his ideas, the results speak for themselves. I was in Eric's room frequently over the 3 days of RMAF, the public really didn't know the value of the DIs as most guests I spoke with had no idea the upgraded DIs were only $3300/pr delivered, I heard guesses from $5K to $15K. These showgoers were just basing their cost estimates on what they heard elsewhere at the show and were mostly 2 to 5 times higher than the actual cost. I'll remind Eric to have a banner for the room next show to boast about the affordable cost of the DIs. My experience at RMAF is that the DIs embarrassed many speakers and systems at 2 to 10 times the retail of Eric's room. He used top notch Parasound separates, and 5K power cords were nowhere to be found. In the hotel room, the DIs disappeared, stage started 2 feet behind the speakers and went deep and wide, dynamics were startling at times, vocals focused dead center at the right height, very detailed yet no edge or glare, drum kits and orchestral bass drums had room pressurizing impact, and I found myself singing along with some of the tracks on my demo disc. Eric assured me he has more design ideas connected with his patent, so get ready for more disruptive products from Tekton. Congratulations Eric and the Tekton team for a successful show! |