Question about adjusting the balance


I'll start out making my question to the point:

which would be better to use to adjust the balance using a sound level meter, a 315 HZ tone or a "uncorrelated (stereo) pink noise 20 Hz to 20 kHz" test tone?

Now I will add the confusion:  I placed my meter about where my head is when I am listening and checked it with the 315 Hz tone and it was WAY off.  So I adjusted by turning the input level knob (Cary SLP05) way down on the strong side.  Then I measured with the 20 Hz to 20 kHz tone and to get an even reading on both sides I had to turn the side I had adjusted way down back quite a ways back up.

Which do I trust if I don't trust my ears?

That is the uncomplicated the version of the question.  To post the full story, the 315 Hz test tone came from a CD that said to use it with an AC voltmeter to test the AC volts at the terminals (I used the speaker terminals) and one side was about 0.2 VAC stronger (if I remember correctly) so I adjusted the strong side down.  (Also I will note that I checked and the voltage imbalance follows the balanced input 6sn7  tubes, and I do actually have tubes that check dead nuts even, but I was playing with some different pairs.)  So no biggy, right?  Now I have the input knob for the strong side turned a bit lower and I put a small piece of making tape by the knob and made a dot with a sharpy so I could remember where I set it in case I moved it.)

BUT:  now I get the idea to test it with the sound level meter, so I position the the meter where my head would be and use the 315 Hz test tone and now the strong side reads EVEN STRONGER!  I am not trusting my ears so I continue to adust the strong side knob down 'til it is pretty far down but both sides read about even on the sound level meter.  BUT then I find a test CD with the "uncorrelated (stereo) pink noise 20 Hz to 20 kHz" test tone and the strong side is NOT nearly as strong!  So I adjust it to get it as close to even as I can using the "uncorrelated (stereo) pink noise 20 Hz to 20 kHz" test tone

and

it turns out it is about BACK WHERE I HAD IT  after I adjusted it using my AC vm at the speaker terminals.

I guess I should add that this is a VERY nearfield environment with my tweeters, and ears (so therefore my sound level meter) making a pretty much eqilateral triangle of 50 some inches and it is a "dirty" untreated room which I can definitely see having a bad effect on the balance on the sound level meter after I had adjusted it using the AC vm, but why would I get  db readings that were inconsistent (balance wise) with the different tones?  I mean if the balance was off--fine, I can understand that and adjust for it on the meter, but I guess my question is why does it show way far off with one tone and not as far off with the other tone--if that question makes sense.

Thanks.

immatthewj

Your hearing might be unbalanced. Mine is.

Since "listening" is the objective, adjust it by ear.

what fuzztone said

this whole hobby is about pleasing our ears with music

so do what it takes to achieve just that 

OUR ears

@secretguy  , why is it hard to believe it is a serious question?

I use my sound level meter and run test signals with two different test tones and the meter indictates that after I balance the sound level by using one of the tones, when I check it with the other tone it no longer reads balanced.

I don't understand why that would be, but why is the question itself unbelievable?

Put the meters away and sit down in your chair. Unless something is whacky, you don’t need a balance. If the image isn’t perfectly centered, adjust your speaker positions until it is. This is how you confirm your speakers are properly placed as well.

PS  I'm a physicist and fully believe in measuring things when it is appropriate.

Thank you, @carlsbad2 , I’ll follow your advice, but since you are a physicist and I am only a retired mechanic, what would the explanation be for the sound pressure meter showing a different calibration for balance with the different test tones?

I’m a physicist and fully believe in measuring things when it is appropriate.

And with that in mind, and no sarcasm intended, do you feel it is appropriate to measure AC voltage at the (speaker) terminals since it does change sometimes when I change the 6SN7 tubes in the balanced input slots of the preamp? (And I can only assume that having more AC volts at one speaker than the other would make it play somewhat louder and therefore have an effect on the balance?)

 

Don't  be put off by "lopsided" speaker placement to achieve center focus of the stereo image.    

Your hearing and gear are not perfect (L/R balance)

Imagine adjusting binoculars.

The alternative is full techie absolute- mic/software, laser pointer and kniffle rod adapter.

Not that there's anything wrong with that. 

 

Don’t be put off by "lopsided" speaker placement to achieve center focus of the stereo image.

Your hearing and gear are not perfect (L/R balance)

Imagine adjusting binoculars.

Okay, I just didn’t think that there was anything unreasonable about placing a sound level meter where my head is usually at and then turning one speaker completely off and measuring the level of the other speaker, and then repeating the process on the other side, and then setting the input level knob for the speakers so that the sound level meter was measuring nearly the same db for each speaker.

My only question was why I was getting readings (balance wise) that were way different depending upon which of the afore mentioned test tones that I used.

That’s all.

My remote has a balance adjustment. If I feel the central image is off center, I’ll adjust it to center. To me some albums seem different. Probably just my hearing creates this illusion. But that is what a balance control is for.

I never thought of thinking deeper on it. Not a problem if you want to. But I would apply this technique to measuring the spl of different frequencies in stereo to identify peaks and troughs and then smooth them out. This is something that could improve the sound of your system. 

@immatthewj I don't like a balance resistor because I don't like any components in the signal path that don't have to be there.  but if you use one, compensating for tubes that aren't quite equal output could be a use for it.  I've never measured AC voltage at my speaker terminals but I guess you are trying to use it as a  way of evaluating if a pair of tubes is well matched. 

So the question is, how is your tube bias set?  I prefer manual tube bias adjustment so I can match any 2 tubes.  Theoretically, an auto bias circuit should do this also, but if you're getting different voltages, then maybe it isn't.  But frankly, I don't have enough experience in amp design to know what I'm talking about here.   Maybe someone else will chime in.

Jerry

@carlsbad2

So the question is, how is your tube bias set? I prefer manual tube bias adjustment so I can match any 2 tubes. Theoretically, an auto bias circuit should do this also, but if you’re getting different voltages, then maybe it isn’t.

the bias for my amp is set manually, but I can only bias the left bank of six output tubes and then the right bank of six output tubes (and I have them within a couple of mA, (I believe the last time I checked on bank was about 268 and the other was about 270) and I cannot adjust the bias of the individual tubes.

However, when I was referring to checking AC volts at the speaker terminals (per the instructions on the test CD) and I said the voltage discrepancy was following the tubes in the left and right balanced input sockets (when I switched them back and forth from left to right) I was referring to the preamp. And I assume you swere referring to the amp? I don’t have much of a handle on the circuit topology or circuit functions of components, so does a preamp need to auto bias its tubes? Except for volume and the left and right "input levels" (which was what I was using to adjust for the voltage discrepancy at my speaker terminals) there is NO adjustments whatsoever for bias on my preamp (Cary SLP05 and the tubes are 6SN7s).

But my original question was this:

I put a 20Hz to 20 kHz pink noise in and put my sound level meter where my head is and used the "input level" knobs to get the meter to show that the speakers were at the same level. Then I put in the 315 Hz test tone (which is the one that the instructions said to measure VAC at the terminals with) and using the sound level meter, the settings I achieved with the pink noise tone to adjust the balance with were way off.

I can understand that the meter would show different dbs for the different tones, but I would have thought that once it was balanced with one tone it would be still balanced with the other tone.

And I was just wondering why that would be. That’s all.

 

 

Well you're digging into this pretty deep and maybe I was quick to suggest that you just use your ears.  Maybe you could hear that there was a mismatch between the mids and the highs. 

So what you data is telling you, as you described it above.  Is that you have a probem with either one of your highs or one of your mids.  My first thought was that it would likely be a driver or a crossover component in your speakers.  

but you said the voltage discrepancies followed the tubes.  Does the discrepancy at different frequencies follow the tubes?

Sounds like the tubes.  have you tried a new pair of tubes?

Jerry

I never thought of thinking deeper on it. Not a problem if you want to.

Thanks, @ghdprentice  , I think I am probably getting ready not to worry about it anymore.  I was just wondering if there was an easy explanation to why I could use the SLM to balance the out put of each speaker with one test tone, but then with the 315 kHz tone to have the speakers no longer reading equal on the sound level meter.

That was all.

So what you data is telling you, as you described it above.  Is that you have a probem with either one of your highs or one of your mids.  My first thought was that it would likely be a driver or a crossover component in your speakers.  

Ahhhh, thanks, @carlsbad2  , that would make sense. 

but you said the voltage discrepancies followed the tubes.  Does the discrepancy at different frequencies follow the tubes?

I didn't actually go that far.  I do have a couple of pairs of 6sn7s that meausre almost dead nuts even, so I could spend some time and what the sound level meter said with them in there at the two different frequencies.

I know my question was probably confusing, although I tyed to spell it out as best I could, but what I did first was to use the AC vm to adjust the "input level" knobs until I was reading equal AC volts at the speaker terminals (with the 315 Hz tone).  It was then that I had the bright idea to see what the actual speaker output at my listening position, from each spaker, was.

Thanks.

 

@carlsbad2 , sincere thanks for your input. I did not play with different input tubes, but I do actually have a HT center channl version of the 805 Matrix that I have not used for years, so, even though I figured it was a fool’s errand, and therefore I was the right man for the job, I did play musical tweeters (actually with both speakers). To not make a short story long, I am pretty sure my wacky readings with 315 Hz were due to operator error.

I discovered that the readings with 315 kHz would change, for example, depending on where I was standing when I was trying to read the meter, and even depending upon where my head was when I was trying to read the meter. I won’t go on & on about how I tryed and failed to establish a reference point for myself and the meter at 315 Hz, but I did discover that the meter was way more stable (less subject to fluctuations due to my own positioning) at 20Hz to 20kHz and with the "input level" knob adjusted to compensate for the weaker preamp balanced input tube AC voltage at the speaker terminal, using pretty stable readings with the 20Hz to 20 kHz tone, the speakers had basically  the same readings from my listening position.  Meaning, that with the "input level" knob adjusted down (on the side I have the stronger tube on) to achieve equal AC voltage at the speaker terminals of both speakers, I also got nearly equal readings with the sound level meter.

So, much to do about nothing, but thank you for your input.

Going back to the untreated room - different tones reflect and build up in a room differently due to different wave lengths. Could it be that lower tones are being reflected and build up on one side or the other while higher tones are being absorbed? If room treatment is the issue, the fact that it changes depending on the frequency would be expected.  
 

I would find a couple different mono recordings, with a mix of highs and lows, play them and adjust until the image is centered. Howlin Wolf on one side of the spectrum and Peggy Lee w/ Goodman on the other should do the trick. 

@zazouswing  , thank you for your input and I believe that you are correct.  I also think that I was woried about nothing . . . I have a solid center image and I guess that is all I should have really been concerned about.  I don't know what led me down the sound level meter rabbit hole . . . there is no accounting for the stuff I sometimes get obsessed with.