@letch This latest development from my perspective is great to be informed of.
For me it means your personal preference for a Vinyl Source's electrical influence is well understood and as I state a attraction or repulsion when end sound is evaluated.
Not that I know your initial thought, but I assume you are aware something that has attraction can be fettled with further to become more alluring.
It looks like with the Valve Roll Options and the MF A1 Amp having a option for adjustments increases the permutations able to be configured.
Note: In such a circumstance the individual making the changes adopts the role of being an Engineer.
Trade Off is the outcome of Engineering, it will be keen to learn where there is change made that is recognizable for occurring, but also if the trade off is discernible.
My take on such an opportunity is to record a permutation that is quite stimulating but not the final go to selection. Use the alternative assembly when other changes occur within the Analogue Channel. The alternative can quite easily take first place as the go to option.
In the late 80's / early 90's I was a user of a MF A1, which is not known by too many is a TDP of EAR design, produced on a Napkin for the owner of MF.
Napkins have a lot to answer for, when it comes to innovation, I always got ones in a pocket that are to become loaded with draft notes.
As in all excursions a trek of the beaten track can create an indelible encounter.

