Eminent Technology LFT-8c Robert Greene review


A friend of mine forwarded this review to me a couple days ago.  I hadn't seen it as it's just a week old at this point. 

Why would I be interested? I have a pair of LFT-8b speakers that I picked up about 7 months ago.  Wonderful speakers. I always wanted to try a set of panels and, as luck would have it, last summer I found a used pair of 8b's just a short drive from my home..I made the jump.  As it turns out, this was one of the best moves I've made in my 50+ year audio hobby. 

In the last few months, I was considering picking up the 8b to 8c upgrade components, but put it off as I had a number of other projects going on.  Well..the projects got completed and I started a few more projects, though this time around the 8c upgrade is one of them.  I ordered the 8c upgrade yesterday and I'm really looking forward to the adventure once it arrives. 

One thing I've noticed when reading discussions of the LFT-8(no a, b, c)  here on A-gon, is the discussion wanders over the now 36 year history of the LFT-8.  Issues identified in this or that review from 10-20-25 years ago are brought up as if they reflect what the LFT-8 is today.  LFT-8's had a great sound 30 years ago, with a few flaws, as any 30 year old speaker would, and it sounds better today. Nothing surprising there. Most companies cut ties with models as they age and come out with something new, whether they are really new or repackaged parts..that varies.. 

What's my point?  I just find it interesting that Bruce Thigpen (Eminent Technology) came out with the LFT-8 in about 1990 and has been continually improving the model 8 year after year, decade in and decade out, staying in business with no advertising, though with a few shows here and there. There are very few current speakers(let alone businesses) alive today that have a 30+ year history under largely the same name. (Though the Vandy 2 series comes to mind)  Pretty unique in this industry.  It's also pretty unique that a decades old pair of LFT-8 speakers can be upgraded to the current model at a very modest cost. And the upgrade is easily done by any owner. 

So..the latest review:

https://www.theabsolutesound.com/articles/eminent-technology-lft-8c-planar-loudspeaker/

Robert Greene goes into considerable depth in his review, which is specific to the 8c version, though he's done an 8b review in the past. I'm glad it came out as it pushed me over the edge in ordering the 8c upgrade.  I'm not getting any younger..time to give the 8c a spin. 

One last note, I've read in a number of older and current reviews that the LFT-8 speaker placement is..finicky.  I haven't found that to be the case at all.  In the last 7 months I've experimented extensively with placement and they respond well to various setups. My current setup is about 115 inches between the panels (on center) and maybe 30 degrees toe-ed  in from facing directly forward.  Each speaker is 45 inches off the front wall(on center) and 38 inches from the side walls.  I have a great soundstage and and equally great imaging.  My tweeter panels are on the inside. 

 

(...and no..I have no affiliation with ET..just a customer owning a used pair of the 2017 model 8b)

nogaps

@ ozzy62 The factory setting for the woofer volume setting is -13db. In my room, 11’ X 30’ with concrete floor and walls, I set the volume of the woofers at around -19db, so a lot lower than the pre-set.  Given that  bass response is produced by a front firing 8” and back firing 6” woofers, I find it more than plenty. I do play rock, but mostly jazz and classical. And the nuances of an electric bass guitar is clearly audible, on acoustic bass it is even better. But it is not cheat pounding, but tuneful.

i looked at photos of your nice listening room. I would expect the LFT- 8c to do well in it. Regarding the tuning of the bass frequency, you should assume that the L - R channels will not be equal despite a seemingly symmetrical room configuration. You have to tune for each channel. In my room the best setting is L -19.8db and R -18.9db so a 0.9 db differential. But with this setting, the bass is very precisely placed within the soundstage. 

@ozzy62 

Congrats. Good move. Looking at your room and power, I'd expect the 8c's will sound terrific. I'm still running the 8b's as the 8c upgrade parts are down south for a couple weeks yet, but I expect you'll have no issues with bass. I've read in reviews that the LFTs "won't play loud" and "have a small sweet spot"..I haven't found this to be the case. If you're feeling the urge to crank it up a bit, the LFTs will blow your hair back. I can't speak to how they are with metal or hard rock, but with jazz I've had all the clean volume I could want, on those rare tracks..

With respect to your system..I too am running a DS2 pre, and for the next couple months, I'll be powering the LFTs with a Sachs Kootenay.  I just hooked it up yesterday and the system is sounding very nice. Better than I expect actually as it's only pumping out 64 watts.  On dense music played at higher SPLs I can hear it gently starting to run out of gas, though that was at a higher volume than I'd normally listen. 

I typically run the LFTs with a McCormack DNA-1, but it's out for a rebuild.

I/we look forward to your thoughts once you get things set up. 

You will enjoy that DNA-1. A couple of years ago Pat did the whole enchilada on a 0.5 for me. I loved that amp and I really regret selling it. Good luck.

 

In regard to maximum output level, it is the single 8" woofer that limits the LFT-8b. Adding the 8c’s rear-firing 6.5" woofer I’m sure does the same thing that using the Rythmik/GR Research OB/Dipole woofer in place of the stock woofer does: increase the maximum spl capability of the speaker.

Another huge benefit of either woofer augmentation is removing the low frequencies from the signal fed to the amplifier powering the LFT drivers, resulting in more power being available for them, and with less distortion. And in the case of the substitution of the OB/Dipole Sub for the stock woofer, the load presented to the amp by the LFT midrange and tweeter drivers (using a 1st-order high-pass x/o filter frequency of 180Hz)  is increased from the stock 8 ohms to a very consistent (mostly resistive, very low capacitance---unlike ESL’s) 11 ohms, a nice benefit for tube amp users.