Definitely listen first. Proaudio gear is made for a very different reason. It is made to bring out every nuance of the recording and typically near field. I would never build a system around it. Audiophile equipment it built around reproducing the musical experience in one form or another... perhaps a sonic spectacular of imaging or the natural musical gestalt. I would never be happy with a ProAudio system.
Okay, I am Taking the Pro Audio Plunge
Over the last year, I’ve read seemingly countless anecdotes about how pro audio gear can trounce alleged “HiFi” brands of the usual suspects, dollar-for-dollar. I am talking Pro Audio brands the likes of Neumann, Genelec, Adam and ATC Pro.
Some allege that models from these brands represent the true state-of-the-art in speaker design. I mean, say what you want about ASR and their implicit bias, but how can you ignore reviews such as this?:
I felt compelled to test this theory to the best of my ability, and within my means. Thusly, I purchased the Neumann KH310 monitors to test at home.
So what do you believe I might expect when these are compared to my Satori Helios Textremes and modest Parasound A21? I plan to listen at “mid-field” distances.
Regards
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- 23 posts total
- 23 posts total

