I agree with 2 subs whichever brand you decide on. I’ve had an excellent experience with SVS. They have great customer service where you can call and talk to a real person and describe what you’re looking for. You can then buy and try for 45 days and return for free in the US if you want to try something else or are not satisfied.
User feedback on subs
While it’s not a path I want to go down, it turns out I need some subs for my cabin system. After trying lots of positions with little success, and after having discussions with people who’s experience and knowledge I respect, I’ve concluded it’s the only way for me to deal with some serious modes in an odd shaped room and to produce adequate bass in the large volume. Sigh.
Subs are relatively unfamiliar territory for me. Based on the conversations noted, I am leaning toward sealed subs - no ports/passive radiators - to better blend with my main speakers.
While I’m leaning toward REL #31s, also under consideration are Sonus Faber Gravis VI, Perlisten D series, and Martin Logan Balanced Force (now Depth?). All are subs I can get from dealers in my home state. The SF dealer also carries Paradigm but he hasn’t suggested any of those models - even their reference ones. While available at the same dealer who can provide Perlisten, I’ve ruled out JL Audio for reasons I’d rather not discuss here.
The SF have a high level connection very similar to REL - intuitively my preferred connection. SF and Perlisten (I’m unsure about ML) have an app which assists in setup though I’ve been reviewing enough setup routines that I “think” I’ll get better results with a manual process.
The Perlistens are completely unfamiliar though appear well designed and solidly built. However, they do not have a high level connection which means I’d have to send my preamp feed to them and output from there to the amps. I have what I think is a very nice sounding preamp and I do not want to harm that purity. Perhaps my worry is misplaced. I have the same concern with the ML.
All the subs under consideration can do what I need. But they are obviously not all equal. The REL is the easy (safe?) choice, though significantly more expensive than the others. The Gravis can be ordered to match the finish on my main speakers - not important, but nice to have.
So - given the above, any user feedback on the subs I’m considering? I welcome pros and cons.
Importantly, auditioning them in system is not possible as that location is a 4 hour drive each way from any of the dealers. So, I want to get it right.
TIA
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- 48 posts total
2 subs! Also think DSP should be a priority. With that suggested placement, you might want to also get subs with remote inputs. No one has ever said REL subs are bad, but they do not have DSP Honestly, with the budget you are suggesting would not go down the SVS route, as the other options are a bit better for music. Don't have any experience with the other subs. My system just got upgraded with 2 ML Abyss 10 subs, they are magnificent!!! Have easy to use/setup DSP, come out of the box with remote input, have a easy to use app. They provide a ton of good detailed bass. Think you going up the latter will be even better.
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If you focus on the parallel wall-wall (widthwise, lengthwise, heightwise) distance at your specific listening spot, the harman tool still applies. I had some stuff scripted up on Ansys years ago for irregular room shapes (but, such a thing requires a ansys license and a fairly steep learning curve to get into the software, change it for your specific room geometry, etc... NOT trivial). Some of the more intensive modeling tools could be useful for higher end hometheater guys who are trying to optimize for multiple spots in irregular rooms...not required for stereo or multichannel listening focused on a single listening spot. There is this pro integrator guy 'hometheater guru' who gives you some scoop on the general procedure (no technical details, but, it should get you in the ballpark). He's talking about a multichannel setup and multiple seats, but, repurpose the information in your thought process for just a single seat. It would save you from a lot of misinformation propagated on forums. Watch the video a couple of times, slow it down, etc, if you need to. https://www.youtube.com/watch?v=aQERnifPLaI (Otherwise, It's hard to describe these things on threads, typing on a phone.) Also, bear in mind, he has a prepro and dsp for phase adjustments of his subwoofers. In a purist setup such as yours, you need that variable phase knob in the back of your subwoofer, a 0/180 phase flip switch won't cut it usually). If you want to get into the technical nitty gritty, harman has some papers on how these active room-treatment devices (subwoofers) couple into a room based on where you place them, nullify modes, etc. Yamaha has stuff on it too somewhere...
@mgrif104 wrote
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@mgrif104 I have a test CD from SounDoctor that has a series of test frequencies down to 20Hz. I have the crossover to my sub set at 40Hz because I run my mains at full range. I found it useful to better understand which frequencies were not in a room null at my listening position given any location of the sub. You are welcome to borrow it if you have a way to play CDs at your cabin. I am in s.e. wisconsin.
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That’s a wonderful offer! Unfortunately, I no longer have a way to play CDs up there. I’m streaming, vinyl and NAS. Fortunately, i was able to get some sense of all this after finding test tones on Qobuz. 50 hz down is problematic. Above 60 - no problem. A test CD certainly would have made it easier though. Noted on the model being directionally correct. Thank you for the additional explanatory detail. It does give me some starting points. I will note that my proof of concept test with my old small sub worked best in the current speaker configuration (along the 23’ side wall) with the sub just to the side of the mains and in relative phase alignment. That gave me hope that it may not be too difficult to achieve good results with two of them positioned similarly. But, there may be even better positions for two so I’ll refer to your model when I get them up there. That may take a couple of weeks. Still looking for user feedback on Perlisten and/or SF Gravis. REL remains the easy and most likely choice. As a side note - I understand why many suggest DSP as necessary or at least desirable - particularly when dealing with complexities of integration, phase and equalization of subs to large full range speakers. My suspicion is you’re correct - this might be a great application for DSP. But, I also tried using DSP (via DIRAC) in a different system and room several years ago as I wanted to see what might be achieved. The results of that test scared me away from DSP. Perhaps it was user error but I found the correction so harmful as to be unlistenable. Hence my skepticism and bias in favor of RELs approach. But, I’m still learning here so I welcome the input. |
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