Very broadly speaking in the high end there are a couple of takes on sonic presentation. The first is fidelity to the music. Audio Research, Conrad Johnson, VAC, Sonus Faber. Their empirical rule is real music... a careful and complete rendition of reality with the details in proportion to the real thing. So, for instance if you sit in a symphony hall and first listen to the silence then the most quiet start of a violin... through a full crescendo... the gestalt is accurately presented. I tuned my ears partially through having 7th row center seats a the symphony for over ten years..
Alternatively lots of system are designed around sounding good. improving imaging and bass beyond what is real. So, details are often presented much more promenently than they are in real life. Kick drums too forceful. The imaging presented in Wilson / Magico, Bermeister, Rowland are often incredible... with a piccolo suspending in three dimensional space... but this is not real.. not like real music. Sounds incredible. I have been blown away by the ceiling to floor wall to wall (forward of front wall) 3D sound staging. Amazing, but it doesn’t sound like the real thing. the gestalt is wrong, proportions wrong. Often these system are not emotionally connective as well. They are intellectually interesting but lack the deep emotional connection that good midrange bloom and great rhythm and pace will give.
That is one of the dichotomies. Components and systems are on continuums.

