@fleschler not sure what you want from me here. I'm looking for input on launching my business. Do you want me to list 25 years of repairs upgrades modifications? The Cary wasan sacd 306S if i remember correctly. The lamp was not a heated triode model. The other stuff is a blurr. The last two items you mention no. What dies any of this have to do with anything I'm looking for input on?
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@bigkidz Well, I first gave advice on where to help market on-line, contacting the mags as well as influential reviewers. I don’t have time to do your job or hiring someone to do it. I don’t know if your equipment line is bad, good or mediocre. But when you mention one of my best friends equipment being modified or repaired by you, unless it was a mundane switch or toggle, I don’t believe you. Or a significant Lampizator product unless it was some non-DAC unit or a lower cost unit from 10 years ago when Lampizator wasn’t established with a rep in the U.S. yet. Good luck selling your equipment line. The not so secret to GroverHuffman’s equipment is severe type of power regulation beyond the several Audio Research crude basic models. More like my Westminster Labs 10 levels of power regulation in my Quest 2 preamp. His Dynaco Stereo 70 beats every other unit I’ve heard in 50 years because he said he uses the center transformer tap for voltage regulation (plus a huge storage cap under in the bottom chassis). It is no longer a ultra linear amplifier. The bass is phenomenal compared to the stock flabby bass. It is otherwise upgraded with excellent speaker terminals, RCA connectors and IEC plug for use with high end power cables. Several friends use it as well as for my second audio system. Sounds as loud as a Mac 30 but with superior control and extended linear frequency response. His patented cables are also excellent for the price. I have a mixture of his cables, especially for the analog components and digital cable versus the majority of my system with SOTA cabling from Westminister Labs Ultra line and some Masterbuilt Ref2. I am also an amateur recording/mastering engineer with two recording archivist titles to my name for classical composers and 150+ recordings of orchestral, chamber and choral music at major Los Angeles venues. I do it because I get to keep the masters and make performers happy. I’m not equipped with electronics knowledge as manufacturers are but I have a good ear and some of my friends are well known analog remastering engineers who are professionals and whose productions are sold world wide. |
@fleschler thank you for your reply. I tried Grover's speaker cables years ago. I agree that they were very good. In fact a dealer friend of mine heard them but Grover only sells direct so he could not represent them. IMO only you have to like what you are hearing in your system. I have non-audio friends who have put together systems that they love and that is all that matters. In my replies I also advised that the Lamp was not one of the top of the line DACs. I also mentioned that we were doing 101D direct heated tube DACs before anyone else. We are not focused on DACs and have not been for years. We use 6SN7 tube DAC because many people have those tubes and the 101D tubes were getting harder to find good ones. Our focus is on the 6SN7 preamp, tube mono blocks, hybrid stereo amplifier and phono preamp. It does not matter what we fixed/repaired/ modified or upgraded, I only mentioned that because we were lucky enough to get to hear so many products. We are hobbyists at heart first and enjoy music. We always are open to new ideas and meeting people. We always offer to help when asked to do so. It was only recently that a dealer approached us to become the distributor for our products so I was asking for input on what direction to begin. I also asked a few dealers that I have known for many years and we decided to go with a distributor for a few reasons to start. I appreciate all of the input people have provided. We have thought about how we wanted to offer our products for years. We never wanted to make this our priority. It was always to just enjoy the hobby and make products for people who got to know us. I always invite anyone to come to our listening facility. We encourage people bringing their own equipment to listen to the various speakers we have so they can hear what they would sound like in their own system. At one time, speaker manufacturers sent us speakers so we could have listening sessions. It was a great way to hear things and meet new people. We didn't represent or sell the speakers, it was simply for enjoyment. Do you know any other manufacturers or dealers who offers this? Most likely very few. Again, I appreciate your input and resourcefulness. Happy Listening. Peter
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After reading everything you have posted here and looking at your existing website, I am left with the feeling that you and your partners may have a lot of internal work to do on the business before considering a launch. Maybe I have the wrong impression but in any event I will share my thoughts. It seems you have an existing company that focuses on upgrading and repairing audio equipment that has been designed and manufactured by others, your business model promotes sales primarily by word-of-mouth, and you now want to expand by designing and manufacturing a new line of audio equipment in-house, which you will bring to market. @thecarpathian asked, “What will you be specializing in?”, to which you basically replied, amplifiers, preamps, and phono stages. If I were a potential customer, I would be curious about which of those products you initially plan to focus on, what is interesting about your new products, and specifically what design choices and/or sonic characteristics set them apart from the competition within the intended price range. I would want to see high-resolution images of the equipment, preferably inside and out, and I would expect the appearance to be attractive, well-built, and consistent across the product line. Clarity and consistency related to your products is about building and defining your brand, which will help define the sandbox you are playing in and will help potential customers decide whether to spend their money. Your brand promise, and the appearance of your equipment, should be thoughtfully presented and attractively displayed on your website. When you launch your first product, it should be as fully developed as possible. In the audio world, having a “win” with one of your first products out of the gate can validate your brand – think Aerial Acoustics with their Model 10T, which was named Speaker of the Year by Stereophile magazine in 1996. You only get one opportunity to make a first impression, so make sure you achieve what you intend, both sonically and aesthetically, before releasing your initial offering to reviewers for public comment. Maybe consider a beta group of experienced audiophiles to provide feedback directly to your team pre-launch, if you haven’t already done that. Kudos on the company name, Vu Jade, which I assume may be a take on George Carlin’s Vuja De - “the sensation of experiencing something familiar as if it were entirely new or unexpected”. IMO, that is a cool concept as related to marketing audio equipment, so consider using it to come up with an engaging company tagline which, along with the company name and an attractive logo, will enhance your brand recognition. Another suggestion is to take a look at successful companies that have had a similar start to yours. Dan Wright’s ModWright Instruments comes to mind, since he was able to grow a successful company from an equipment upgrading operation that seems to have been similar to your current situation. Finally, don’t underestimate the importance of effective business practices as many designers with passion and expertise ultimately fail at the business because of issues such as underpricing their offerings, supply/demand/capacity considerations, vendor issues, manufacturing quality and consistency, responsive customer communications, after-sales servicing, and more. Think it through and good luck. |
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