I have great confidence in your endeavours, because your early descriptions of what you were hearing and the unique qualities of the Verdier were exactly as I experienced when I had the Verdier. I’m pretty sure our hearing is similar.
I have not heard the AS mods - but my point was to try the original platter so you understand what the AS is doing. If you do, retry the copper mat directly on the aluminium platter, as I mentioned this combination of metals will provide bimetallic damping. Also would pay to try any other mats/clamps you have lying around.
the AS platter has a void under it. this is supposed to be filled with silicon oil.
that’s very interesting - it would probably serve as an energy dump, but the problems with lossy dampening materials and energy dumps like that they tend to store unwanted energy and then at some point it comes back out, and smears the sound. What you really want with unwanted energy in a turntable system is to get rid of it, in the case of my reference TT most of it is dealt with at an atomic level ( my TT uses superplastic zinc alloy as a plinth, any disturbances from 10-100hz at room temperature dissipate within the plinth material via grain sliding at a molecular level ). Any other unwanted energy needs to be dumped to ground.
Might be worth trying the silicon if that’s what Dietrich intended but I think the record interface to acrylic/copper/graphite whatever will probably have more impact in one way or another directly on the sound as well as getting motor/TT mounted as stable as you can get it - keep things as simple as possible.

