NOS Tube Recommendation for Quicksilver Phono Pre Amp


I recently upgraded from the onboard phono stage in my Technics 1500SL to an all tube Quicksilver Phono Pre Amp. I’m about half way through the 30 hour recommended break-in period and so far, there is a lot to like about this piece of gear: Much thicker/more pronounced bottom end (I’ve had to readjust the gain on my subs quite a bit) and much wider/more defined sound stage. However, because I’m also running an all tube integrated amp (Raven Audio Osprey), there is now a very noticeable "warm" coloration to the music that wasn’t there before. I don’t want to give up on my new phono stage, but it’s like I’m listening to music with a wool blanket over my speakers. I’m thinking rolling the tubes to something a little cleaner/brighter could give me the best of all worlds. There are 3 tubes in the circuit topology: 2 12AX7s (one input, one gain) and 1 12AT7 (cathode follower). I’m currently considering a matched pair of Raytheon JRP black plate 12AX7s and either an RCA or Telefunken for the cathode follower (all NOS). Any and all suggestions/inputs are very much appreciated! P.S. my speakers are Raven Audio Corvus Reference Monitors and my current cart is the always amazing Nagaoka MP-500.

crawfishdaddi

@larryi  thanks for the explanation.

To the OP, I agree with DeKay's first post.  Let the preamp settle in before making changes.  How many albums have you actually listened to for your sonic conclusions?

@larryi 5751 and 12AX7 specs differently in a few significant ways. gain is one of them. heater current, plate resistance are 2 others. 


@crawfishdaddi 5751 is not a drop-in substitute for 12AX7, especially not in phono circuit. any such substitutions are circuit-dependent. ask quicksilver if such a substitution is ok in their circuit.

 

@onhwy61...I hear you (you and @dekay are not wrong). I've played about 15-20 records on the new phono stage and I am committed to waiting at least the minimum 30 hours of recommended break-in time before making any changes. 

However, I am getting my ducks in row and trying to learn as much as I can in the event that this coloration issue doesn't go away on its own. I also struggle with the idea that I should just keep waiting for months on end hoping for it to improve (I think a lot of time, people just get used to how it sounds whether it actually improves or not). 

I listen to records 3-4 times a week for a couple hours at a time. At that rate, I feel like 2 months is enough time to know if it's time to roll the tubes. I know that's a little on the impatient side, but what can I say.... I'm obsessed smiley

@crawfishdaddi 

OK, now I see you have stated the result seems a bit too warm. So you want something with a bit more "zing". In that case, you should check out the following:

  • Mazda silver plate 12AX7 (expensive)
  • Telefunken ribbed plate 12AX7
  • (Russia) new Tung-Sol 12AX7

Electro Harmonix 12AX7 are fairly bright. I usually don't like them, but they can certainly counter warmth. Later Sylvania 5751 were also pretty bright, and I didn't like them - but who knows, here. 

RCA are weird - most are warm but some of them have been unbearably bright (and those tubes have been from Andy @ VTS with the cleaned pins; wonder if that's related).

If a phono stage has a strong "voicing" on its own, you are not going to fully counteract it with tube rolling. 

thanks @mulveling  -great stuff!
I've never actually seen the fabled Mazda silver plate 12AX7 for sale anywhere... I'm starting to think it's only a myth.