What Does It Take To Surpass A SME V?


Thinking about the possibility of searching for a new tonearm. The table is a SOTA Cosmos Eclipse. Cartridge currently in use is a Transfiguration Audio Proteus, and it also looks like I will also have an Ortofon Verismo if a diamond replacement occurs without incident. 

The V is an early generation one but in good condition with no issues. Some folks never thought highly of the arm, others thought it quite capable. So it's a bit decisive. 

The replacement has to be 9 to 10.5 inches. I have wondered if Origin Live is worth exploring? Perhaps a generation old Triplanar from the pre owned market?

 Any thoughts on what are viable choices? 

 

 

 

 

 

 

neonknight

From my reading bits written by audio journalists who usually have only a tenuous grasp of the technology, it seems the MCCI and Leno are a bit different from one another in circuitry. As a user of the MCCI, I simplified things by turning off the Neumann compensator and any bass frequency modulation. I also set gain to zero db; only a very few cartridges would require the +7 or 14 db settings. Also keep in mind that Fremer reviewed the original version, not the ULN Signature version, in 2013. I think the jumpers are very easy to understand and deal with in the latest version. But I can’t say which you’d like better between the MCCI ULN Sig and the Lino C.

The Method experienced and the one that has been investigative and proven to have a very impressive impact is the use of PC Triple C Wire as a Arm Wand Wire and if able to be achieved, exchange the Phon' Internal Signal Path Wire for PC Triple C.

PC Triple C is not found as a Metal in Connectors at present, Designs that use Pure Copper or a OCC  for both Male Female are available.

Limiting the use of the OCC or Pure Copper Connector to the Cable Only is a method to create a partial result, that is able to be further benefitted by adding a partnering design to the chassis. 

In the case of a RCA exchange a Pure Copper Low Mass / Low Eddy Connector will be a good selection.

XLR's from what I have been offered as a description, are a Low Mass/ow Eddy Design, choosing the metal for the connection is the additional consideration.

The impression made from the experience of being demo'd versions of the above has been so, that I am having the above done to the Pre-Amp that is to be Built for me. 

When the HiFi System is back into action, I will be looking to have similar done to the other devices in use, the Power Amp's are already agreed to be converted to the above methodology by the Designer/Builder when the Design is to include the Balanced Circuit in conjunction with the Single Ended.  

@neonknight , With the Verismo you'll want to set the gain to high. I doubt you'll feel the need for another cartridge for a long while. The jumpers will not pose much of a problem. 

Mijostyn, how do you know he’ll need to set the gain to “high”? And what is high on the BMC? 0, 7, and 14db are offered. With my ZYX UNIverse, which puts out 0.24mV and has a 4 ohm internal resistance, the 0db setting is robust. That’s with my linestage adding about 15 db of gain. The Verismo puts out 0.2mV with internal R = 7 ohms, roughly half the current output of the Uni. So, depending upon linestage gain, the input sensitivity of the amplifier, and speaker efficiency, I would guess 0db or +7db would be the sweet spot. Anyway, he can come over to my house in Bethesda to compare notes.