Washington Post article on MoFi vs. Fremer vs. Esposito


Here's a link to a Washington Post article on the recent dustup with MoFi. The comments section (including posts by Michael Fremer) are interesting.

Disclaimer: This is a "public service announcement, a point Im adding since some forum members complained the last article I referenced here was "paywall protected", I'll note that, for those who are non-subscribers, free access to limited numbers of articles is available by registering (trade-off: The Post will deluge you with subscription offers)

kacomess

👉 READ IT FOR FREE. My Washington Post subscription allows me to share this gift article, at no cost to you: https://wapo.st/3BIg0jG

MoFi Records claimed its expensive reissues were purely analog reproductions. It had been deceiving its customer base for years.

"The fallout of the MoFi revelation has thrown the audiophile community into something of an existential crisis. The quality of digitized music has long been criticized because of how much data was stripped out of files so MP3s could fit on mobile devices. But these days, with the right equipment, digital recordings can be so good they can fool even the best ears. Many of MoFi’s now-exposed records were on Fremer and Esposito’s own lists of the best sounding analog albums.

Jamie Howarth, whose Plangent Processes uses digital technology to restore sound and whose work has earned praise for Neil Young and Bruce Springsteen reissues, wishes MoFi had come clean years ago and proudly told its customers that their prized records sounded best because of the digital step. He understands why it didn’t. It was terrified of being attacked by analog-or-bust audiophiles.

“One of the reasons they want to excoriate MoFi is for lying,” says Howarth. “The other part that bothers them is that they’ve been listening to digital all along and they’re highly invested in believing that any digital step will destroy their experience. And they’re wrong.”

Wood says that MoFi decided to add DSD not for convenience but because its engineers felt they could help improve their records. He remembers hearing MoFi’s reissue of Santana’s “Abraxas” in 2016. “My mind was blown when we got the test pressings back,” he said.

Wood says MoFi takes great care in capturing the digital file. It won’t simply accept a link from a record company. If a master tape can’t be couriered to Sebastopol, MoFi will send engineers with their equipment to capture it. Having a file allows them to tinker with the recordings if they’re not pleased with a test pressing and make another. He says he is disappointed in himself for not being upfront but that, from here on out, MoFi will properly label its recordings. A revised One-Step card has already been crafted for upcoming releases featuring Van Halen, Cannonball Adderley and the Eagles."...

The Emperor's clothes have been exposed! 

One more victory in the D vs. A war,

Meantime does this mean MoFi's venture

in the loudspeaker market is DOA?

Andrew where are you now???

There was a time when I considered getting into real to reel and buying music from the tape project. I inquired about the price, thought it was a little expensive but maybe I could swing it, and then I found out that the price was per minute!

I would like to get as close as possible to the original master.  I would be just fine with a DSD recording straight off the master, no more generations than that. I truly think that is the sweet spot. Mobile fidelity should be selling their high resolution DSD recordings straight off the masters. Why no mention of this?

Aside from fidelity as being the issue, that hard fact remains, that the customer was told that the product was one thing and not the other. Simple as that.

@4krowme , +1

Though I am using digital streaming, I will say that if you are advocating/offering analog pressings, then you should be upfront about where your albums are being made-especially if the cost more than two decimal places.

Boy, am I glad I bought records at Barnes and Noble for under $3 in the 70's. Unfortunately, the majority were poorly pressed -Remember Dynagroove?

B