Tom Port got after me about some of the misinformation above. No, not mine. Others. He has a point. But the parts I explained are perfectly clear, and true.
Rather than try and set the record straight let me just say not everything claimed to be from the original master, or half speed mastered, or whatever, actually is as claimed.
For example, an "Original Master Recording" from MoFi so hilariously obviously NOT from the original master- Al Stewart Year of the Cat - was so bad it did not even have the piano in the beginning of On the Border, at all. By "at all" I mean "at all". Not buried deep down in the mix. Not muffled hard to make out. "AT ALL!"
This particular pressing was so bad I sent it to Tom just to play, to show anyone just how truly awful a reissue can be. I have a very normal beat up and played a lot average vintage copy that is light years better than this MoFi. Tom sold me a White Hot Stamper and you better believe it is light years better than my average vintage copy.
There are so many steps in the chain, so many opportunities for dreck to creep in, it is a miracle there are any good records out there at all. In any format. With LP, add to that the challenge of squishing plastic into grooves the size of a organic molecule. No wonder the only way to know for sure is to drop the needle and listen.
That is what Tom Port does every day. If you really care about sound quality that is what you will do too. Or pay Tom to do it for you. That you can rely on. Labels that say half speed mastered, audiophile, original master, etc, those you cannot rely on. At all.
Rather than try and set the record straight let me just say not everything claimed to be from the original master, or half speed mastered, or whatever, actually is as claimed.
For example, an "Original Master Recording" from MoFi so hilariously obviously NOT from the original master- Al Stewart Year of the Cat - was so bad it did not even have the piano in the beginning of On the Border, at all. By "at all" I mean "at all". Not buried deep down in the mix. Not muffled hard to make out. "AT ALL!"
This particular pressing was so bad I sent it to Tom just to play, to show anyone just how truly awful a reissue can be. I have a very normal beat up and played a lot average vintage copy that is light years better than this MoFi. Tom sold me a White Hot Stamper and you better believe it is light years better than my average vintage copy.
There are so many steps in the chain, so many opportunities for dreck to creep in, it is a miracle there are any good records out there at all. In any format. With LP, add to that the challenge of squishing plastic into grooves the size of a organic molecule. No wonder the only way to know for sure is to drop the needle and listen.
That is what Tom Port does every day. If you really care about sound quality that is what you will do too. Or pay Tom to do it for you. That you can rely on. Labels that say half speed mastered, audiophile, original master, etc, those you cannot rely on. At all.