Reccomend a good preamp for me.


I have nixed the preamp for a while now with using only a DCS Rossini DAC going direct.  I have that in the back of my room and a 10M pair of balanced cables that run to my various amps I use.  I have been getting back into vinyl again and even a cassette player so I am in need of a preamp that will have at least one balanced input and 2 more RCA inputs.  I have been trying different amps and speakers lately also and think I will land on some kind of lower powered tubes and higher efficiency speakers.  I used to have a few nice preamps years ago and I always remember thinking the preamp was a big piece of the puzzle the heart maybe of the system.  PS Audio BHK looks good maybe or a Pass Preamp?  I'm out of the loop on preamps. 
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Do your homework before making recommendations.
There’s some here (with all good intentions) that have no idea the preamp/s they are recommending can possibly drive 10mts!!! of interconnect that the OP has, to his JC1 monoblocks, without any limitations.

Cheers George
The PS Audio BHK preamp is a fine unit with many inputs and flexibility of sound via the tubes.

The Coda 07X is the best preamp I have discovered thus far in terms of inputs, outputs and gain level settings per input. it doesn’t take up much space and generates minimal heat. 
The Schiit Freya+ is also ridiculously good and fun to operate. As far as bang for the buck, it’s tough to beat. Tubes, no tubes balanced, unbalanced, it’s got ya covered. 5 inputs and 3 outputs, quite nice indeed.
The best I ever heared: Ear Yoshino 868 , and Daniel Hertz M6L, (have the last one). In my mind: Ear Yoshino 912.
If your budget can handle it, I highly recommend the McIntosh C49. Besides the excellent and upgradable DA1 digital module, it has two balanced inputs, two balanced outputs, and 3 pairs of RCA in’s and out’s. Two of the RCA out’s are variable and one is fixed. It has phono inputs for MM and MC and they have user adjustable parameters specific to the cartridge type to get the best possible performance. All the inputs can be named for the device using them, and unused inputs can be deleted. The level of the incoming signal can also be set for each device so that all operate at the same level. The C49 also has bass, treble and balance controls with a bypass. All this is accessed by the two control knobs and a blue dot matrix screen. The icing on the cake is a wonderfully functional remote with a volume control that is actually useable, and allows access to all the functions.