I don't want to get into whether friction is higher or lower on a blank record vs. in the groove--there are too many variable to consider. For one thing, I have not seen mention of the fact that, when playing a modulated groove, the stylus is being dragged at a MUCH greater velocity (the path of a modulated groove is much longer per inch of record circumference) and there is inertia of the stylus moving side to side to consider as well.
None of this matters as to whether Ledermann's approach of using the blank side of a record is valid. He acknowledges that this does NOT duplicate actual playing conditions, but, his experience has shown that it results in a decent proxy for a correct setting. He has a lot of experience with examining stylus wear so he knows a thing or two about what achieves even wear.
None of this matters as to whether Ledermann's approach of using the blank side of a record is valid. He acknowledges that this does NOT duplicate actual playing conditions, but, his experience has shown that it results in a decent proxy for a correct setting. He has a lot of experience with examining stylus wear so he knows a thing or two about what achieves even wear.

