One added point, I think has not addressed.
The OP is mentioning an Ortofon Quintet Black cartridge, yes?
This might play into the MC / Lewn discussion too.
For some interesting reason - when checking for the most suitable anti-skating force with this cartridge, running it on a test record with a non-groove (smooth) section, in about the middle of the normally grooved section, you will find that even by just skating on a smooth vinyl surface the t-arm, cartridge, cantilever, stylus assembly gets pulled toward the platter centre.
The way MC related, and why, as due to the geometry of gimbled t-arms.
So, a stylus running in a groove have nothing to do as such, in the skating force/pull matter, yes?
But the main point now: this particular cartridge using a Shibata stylus, for some reason, needs by comparison to other cartridges, a lot more anti-skating force to compensate the skating force/pull present.
On the SME V t-arm, the anti-skating dialable calibrated force is practically always pretty much equal to the vertical tracking force, as I many, msny times could confirm.
The Ortofon Quintet Black and incidentally also the Cadenza Black require quite some unusually more anti-skating force to ballance their skating pull action, when tracking at the optimal 2.3 gram VTF.
Why?...
It seems to have to do with the stylus shape, being more pointed than many other styli - my best guess... and I might be wrong, it having to do more with the relatively high 2.3g VTF?
The anti-skating force dial almost needs to be set as high as 3 (g)! to balance the skating pull.
So, where does this fit into the MC/Lewn discussion?
Will the skating pull be less if the stylus runs in a record groove?
Somehow I do not think so, and why have different styli or a highish VTF different relative skating pull?
Just some unanswered question - and related to the OP Quintet Black.cartridge also.
His actual question clearly having been unequivocally answered: using zero anti-skating force, when performing cartridge alignment, an absolute given.
Michélle 🇿🇦
The OP is mentioning an Ortofon Quintet Black cartridge, yes?
This might play into the MC / Lewn discussion too.
For some interesting reason - when checking for the most suitable anti-skating force with this cartridge, running it on a test record with a non-groove (smooth) section, in about the middle of the normally grooved section, you will find that even by just skating on a smooth vinyl surface the t-arm, cartridge, cantilever, stylus assembly gets pulled toward the platter centre.
The way MC related, and why, as due to the geometry of gimbled t-arms.
So, a stylus running in a groove have nothing to do as such, in the skating force/pull matter, yes?
But the main point now: this particular cartridge using a Shibata stylus, for some reason, needs by comparison to other cartridges, a lot more anti-skating force to compensate the skating force/pull present.
On the SME V t-arm, the anti-skating dialable calibrated force is practically always pretty much equal to the vertical tracking force, as I many, msny times could confirm.
The Ortofon Quintet Black and incidentally also the Cadenza Black require quite some unusually more anti-skating force to ballance their skating pull action, when tracking at the optimal 2.3 gram VTF.
Why?...
It seems to have to do with the stylus shape, being more pointed than many other styli - my best guess... and I might be wrong, it having to do more with the relatively high 2.3g VTF?
The anti-skating force dial almost needs to be set as high as 3 (g)! to balance the skating pull.
So, where does this fit into the MC/Lewn discussion?
Will the skating pull be less if the stylus runs in a record groove?
Somehow I do not think so, and why have different styli or a highish VTF different relative skating pull?
Just some unanswered question - and related to the OP Quintet Black.cartridge also.
His actual question clearly having been unequivocally answered: using zero anti-skating force, when performing cartridge alignment, an absolute given.
Michélle 🇿🇦