Is my anti-skating too strong.


I’m trying to adjust the alignment of the Ortofon Black Quintet cartridge on my Music Hall mmf 9.3 turntable.  When I put the stylus down on the alignment protractor, the tone arm pulls to the outer edge of the turntable.   Should I disable anti skating when doing alignment or is it set too strong?  Obviously haven’t done this too often.
Also, when listening to the anti skating track on The Ultimate Analogue Test LP, there is noticeable distortion at the end of the track which indicates too much or too little anti skating.  Any guidance here?
udog
As I was writing the post I realized that it was a “duh” question about disabling anti-skate.  MC’s thoughts on the amplitude of the test track make sense and will be factored in.  Anxious to get back to work and will give no antiskate a try as well. Thanks for the input

MC's thoughts are a minor consideration in thinking about the magnitude of the skating force.  The most important cause of the skating force (after friction) is the tracking angle error, which is varying in terms of degrees of angle, all across the surface of an LP.  And it is never zero, for any of our conventional pivoted tonearms that have an offset headshell, even at the two null points you can achieve if you align the tonearm according to any of the known algorithms. 

The movement of the stylus in the groove generates a friction force.  If the vector direction of that force were to be straight back along the cantilever, and if the cantilever were to align with the arm wand going all the way back to the pivot, there would be no skating force, regardless of the tortuosity of the grooves or the ups and downs of the music signal.  But that never happens with our pivoted tonearms; there is always an angle of error.  That generates the side force.  If you want more on this subject, I will try to help, but otherwise, I don't want to put anyone to sleep.  Think of the little red wagon you had when you were a kid. It had four wheels and a pull handle that was attached to the axle of the front pair of wheels.  Remember what it was like to try to keep the wagon alongside of you while you dragged it down the street?  There was an aberrant side force that you had to correct for. That's the same idea as skating force.
OMG sorry but it has nothing to do with the angle of the cantilever. The skating force that pulls the arm towards the center is a result of not being tangential. It has nothing to do with the offset angle of the head shell, or the cartridge, or the cantilever, or the stylus, or any of that.

This is why linear trackers are also tangential tracking. A pivoted arm would have zero skating force IF AND ONLY IF it is tracking tangentially. But since the arm is pivoted this can happen only at one point.

Turntables and tone arms are actually childishly simple devices, literally as simple as a teeter-totter. You just have to stop and look at them closely to see what is going on. Please, please, PLEASE do that, and not get too caught up in other peoples stories about what is going on.
When you set up and align the cartridge, there should be no anti-skate.  There is no need for it since the outward force should be just enough to offset the inward pull.   

According to cartridge design and engineering experts (I'm not one), most arms are set up with much to much anti-skate.  It's obvious when a cartridge stylus is examined through a microscope.  One side, the one that rides against the out edge of the groove, is more worn than the inside edge, the surface of the stylus closest to the record label. of the stylus.  

The longer the arm, the lower the anti-skate force.  I have been using only 12" arms for a long time and exert almost not anti-skate force.  My cartridges seem to wear evenly.