Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
No doubt toe in/out will effect air in any speaker, but more so with OHMs in standard setup where tweeter is normally facing/toed-in 45 degrees.

Sounds like your buddy has good ears!

My Dynaudio monitors also tend to have more "air" than the OHMs in most setups.

Yes, I liked the GE Aon folded ribbon during short audition, but not sure if it might be a bit too polite for me over the longer term or not. A mixed bag there but I liked the large Aon very much especially at its price point overall.
I had some of the Martin Logan Motion series speakers that I used for A/V in the living room for awhile. These had the same basic folded ribbon tweets as the Golden Ear speakers, and they are quite good. I never did find them to be soft or irritating in any way at all, very detailed and smooth. A fantastic little tweeter. I do like most of the GE line as well, and as Map put it, the Aon is a good little stand mounter. Tim
I was reading "News and Views" on Ohm's website and found this excerpt particularly interesting:

"Today there are hundreds of special speaker wires available; some costing thousands of dollars. Which is best and which is the best value? Two interesting questions.

Based on the fact that there can be an almost “magical” synergy between speaker and wire, I really cannot tell you what is best unless I have had a chance to listen to (and test) your speakers. I can tell you that with most Ohms, 12-gauge wire (if less than 30 feet long) is what we recommend. We do our development with this wire and believe you will not hear an improvement with any other. You may hear a difference; but it is not the way we designed the speakers to sound. Of course, if there is a difference, the difference maybe compensating for a room/speaker interaction problem. It is sort of like two problems canceling each other out."

Seems John and company don't exactly advocate the need for expensive cables .. at least that is how it reads to me. Thoughts?

http://ohmspeaker.com/news/does-speaker-wire-affect-the-sound/
"Seems John and company don't exactly advocate the need for expensive cables .. at least that is how it reads to me. Thoughts?"

Yes, and I tend to agree.

I've had one pair of OHMs on high quality Audioquest CV6 wires, and my F5s connect in an advacent room using decent quality commercial grade wiring I had put through the walls when the house was built.

I would say these do not sound the same but I could not make a judgement that one sounds better than the other necessarily. I have things set up in both rooms for quite excellent results. Different, yes. Better? Debatable.

I have experimented more with various analog ICs and hear big differences there, but still hard to say one inherently better than the other. Two different flavors perhaps, with of which might work best in any one's case.
I use Transparent super wave plus. I've tried kimber 8tc and Tara labs . The transparent has the best synergy. Full bodied and holographic. More of an upgrade than my adcom to bryston preamp. More of an upgrade than a Benz s to an ortophon Cadenza bronze. Some say they stay away from cables with any black boxes but these are the best I've had.