lewm "As
I implied in one of my responses to Raul, I think the coupling of the
tonearm (any tonearm, but maybe especially undamped tonearms) to high
mass is another form of dampening."
I agree absolutely. When I had the FR-64S, it was on an Oracle Delphi Mk3 with a special metal armboard that sounded way better than the factory-standard acrylic board. That combo, on the FR adjustable VTA base, was just incredible. As I mentioned earlier in this thread, I sold the whole package to a friend who still uses it. And it still sounds great. The various Orsonic headshells were also a major improvement, and helped match the arm to the cartridge.
I agree absolutely. When I had the FR-64S, it was on an Oracle Delphi Mk3 with a special metal armboard that sounded way better than the factory-standard acrylic board. That combo, on the FR adjustable VTA base, was just incredible. As I mentioned earlier in this thread, I sold the whole package to a friend who still uses it. And it still sounds great. The various Orsonic headshells were also a major improvement, and helped match the arm to the cartridge.