I would say putting trust into something souly designed by computers is a recipe for failure.
This makes sense to me. Consider, for example, Totem, which makes a big deal of how their speakers are designed and tuned by ear, how they don't use the facilities of the big, government-supported acoustical research labs in Canada. Totem speakers are highly regarded for their musicality.
On the other hand, I remember when I first started following high-end audio in the 1980's how TAS and other high-end publications scoffed at the writing of Julian Hirsch and others whose reviews prominently features graphs and response curves, as if those measurements really told you all you needed to know about the quality of a speaker.