What CD has the best production/sound?


I'm looking for CDs to show off my system. What is the best CD (non-24/96) for sound/production? My vote is Steely Dan's 2 against nature. Yours?
neilro
MCA did a fine job (for a mass produced label) on all of Lyle Lovett's stuff. Start with Joshua Judges Ruth, I promise you will find at least one cut you will fall in love with.
For stringed acoustic, David Grisman, mandolinist, does a careful job on his Acoustic Disc label. "I'm Beginning To See The Light" by Martin Taylor (guitar) - David Grisman Acoustic Jazz Quartet would be a good example. Great playing, and swings... overall a little too tasteful and mainstream to be favorite music for me, but still a great listen, and in terms of showing off your system, the relaxed nature of the music makes it easy to listen for the many nuances of the playing and the sound. ..... How about piano? What do people like as a test of fidelity to the piano's sound, whether solo or not, classical or not?
Kelleyann Try CDUniverse; CompactDisc Connection; and Music Direct, don't have the web addresses off hand but you should find most of what you see here on those sites.
If you're trying to get people's attention it's hard to go wrong with Holly Cole's 'Temptation' CD. The combination of the Tom Waits songs, her voice, the spooky, wonderful arrangements and superb production is amazing.
Here's another vote for "Songs of a Circling Spirit". Joni Mitchell's "Court and Spark" sounds fantastic, and is regarded by recording engineers as an examplar of the art, or so I'm told. Every re-mastered release I've heard is very good, on the other hand. All of the remastered Steely Dan works are quite enjoyable. If you remember Cat Stevens the first time around, the recently released disk of remastered hits will melt your soul. Or try the remastered releases of the first half-dozen or so of Elton John. I agree with a previous poster who commented that jazz and blues are often well-recorded (thanks to care taken by engineers and producers who know and love music). Here's a rule of thumb: if it's aimed at the popular mass market and in current release, it's probably not very good.The reason: excessive use of compression to make it sound good on a boombox or car radio. Go play "Supernatural" on your computer's CD-ROM drive and with crappy little plastic box speakers, and then go play it on a high-end system, and see if it doesn't sound better on the computer. On a high end system, the "wall of sound" of near-constant amplitude lacks dynamics and is relentlessly in your face.
The JVC XRCDs remasters are excellent including Count Basie, Sarah Vaughn, Bill Evans, Miles Davis, Art Tatum, Coltrane and others. If into jazz GET THESE! Also a good direct to disc on 1 gold cd is "For Duke"/"Fatha" on MK Realtime direct from Miller Kreisel.
Any of Patrick O'hearns CD's,Al Dimeola's Kiss my Axe is what I use to get the audio orgasm in terms of the soundstage depth and with. Enigma also gets my vote
I've got to second Trelja's recommendation for Lucinda Williams "Car Wheels On A Gravel Road"-- on trks #7 and #12, the soundstage is wide and deep with percussion and other instruments exploding all over the place. It should be noted that this is an HDCD recording. Cowboy Junkies "Trinity Sessions" is also excellent. I also like all of the Enigma CDs for bass excitment. Cheers. Craig.
Another highly rcommended cd would be the soundtrack to The Living Sea disc by Sting. The sound is excellent and the disc is very enjoyable. Different than you might expect from Sting.
You might want to try "Songs of a Circling Spirit" by Tom Cochrane. He was the lead singer from Red Rider, the group that did the Neruda LP back in the 80's. He does some of Neruda and some newer stuff on this CD. He and three or four other musicians went into a concert hall and recorded this as an acoustic session (no audience), so you get to hear quite a bit that would normally be "filtered out" of a studio recording (read that as sterile) or obscured if an audience was present.
Some good suggestions here. A few more: Lucinda Williams(Car Wheels On A Gravel Road), Martin Sexton(The American), Sonny Rollins(Soundtrack from the movie, "Alfie"), and Patricia Barber(Cafe Blue).
Some reference recordings sound quite nice as do most Chesky. I think Chesky has the more natural sound, while reference, which is recorded on Spectral gear, that the engineer Keith O. Johnson also designed, sounds very neutral
re: post by kleiman421. "art for the ear" is actually a tag line used by burmester to describe its products. the cd to which you are likely referring is vorfurings-cd II (there's an umlaut over the u). there is also a "volume" 3 that is likewise stunning. (never seen vol.1) i have access to a very limited supply of both discs, tho they're expensive, just like the beautiful burmester products for which they were produced. if you are interested, email me and i'll give you the prices.
Oops! a correction is necessary to my earlier post--her name is spelled "Alison Krauss"!
Produced by Patsy Cline's producer, Owen Bradley, and recorded with all tube equipment, "Shadowland" is probably k.d. lang's best sounding CD. There's nary a dud on this great collection, which features Kitty Wells, Loretta Lynn and Brenda Lee on the last song, "Honky Tonk Angels." Highly recommended.
I second the Dan's 2AN, it is an awesome "non-audiophile" recording. I also second the Bob Ludwig mastered disks, his stuff is almost always excellent. For a little different type of sound try Allison Krause's excellent disk "Forget About It", she'll sound like she is singing right in front of you. Good post!
Try Cowboy Junies "Trinity Sessions" Imaging, soundstage, and sense of acoustic space are very good.
If you can find the Burmester, Art for the Ears disc, grab it. It is a sampler disc and the sound is incredible.
if you want generalities: some of the best-produced cd's (and lp's) are c&w and blues. almost anything by willie nelson sounds great; the remastered redheaded stanger will knock your socks off. for blues, try anything on analogue productions (acoustics sounds) or telarc/blues. one of the greatest pair of producers is daniel lanois and brian eno (u2, dylan, etc.). for gorgeous cajun/rock try lanois' own album, arcadie. oh yeah, some gospel stuff is also first-rate in sound/production. buy the 1st fairfield four cd, if you don't already own it (standing in the safety zone).
For classical, the Reference Recordings Minnesota Orchestra series, particularly the Bernstein disc, are well recorded and have demonstration sound.
The new Kate Schrock (which was mastered by Ludwig) is great. It's called Dame's Rocket.
Look for cd's that have been mastered by Bob Ludwig. Depending on your music "taste" any cd Bob Ludwig has been involved with can usually show you what is possible even with the cd standard.