Audio Artistry Beethoven - heard it?


Has anyone owned or heard this speaker. According to one who should know, it is the only speaker to outperform the Quad 63 and Apogee Scintilla for what they do, openness, naturalness, and overall loveliness of sound on acoustic music.
muralman1
I heard a demo of them at CES several years ago and to this day consider the Beethoven among the best speakers I've ever heard. I was shocked at the price then, I wonder what they sell for now?

As for comparing them to Apogee Scintilla, that is no contest in my opinion. I would absolutely choose the Beethoven.

The Quad is such a different speaker, I wouldn't know how to compare them. The Quad and Beethoven are both on my favorite top ten speakers list.
Greetings Muralman1,

You are asking about one of the most intelligently designed and best-sounding speakers ever made, in my opinion.

I had the pleasure of listening to designer Siegfried Linkwitz's personal Beethoven system in his home about a year ago. Startlingly lively and dynamic, extremly low in coloration, very revealing, and stunning on massed orchestral passages as well as hard rock (Siegfried put on some ACDC for my patient teenage son).

I used to own Quad 63's and am somewhat familiar with the Apogees, and would say that the Beethovens share their low level of coloration but can do dynamics on a scale that takes your breath away.

Whether the Beethoven is the only speaker to outperform the Quads and Apogees in openness, naturalness, and overall loveliness of sound on acoustic music, I'm not so sure. I think there may be others that are worthy successors to the Quads and Apogees in these areas, perhaps including the speakers I peddle (Sound Lab full range electrostats). I count numerous former Quad and Apogee owners among my customers. But I know of few speakers that even approach the explosive dynamics of the Beethovens, and none that do so with such low coloration.

I used to own Crosby-modified Quad 63's with Gradient subs, and the three speakers that were in the running to replace them were the Audio Artistry Beethovens, the Magnepan MG-20's, and the Sound Lab Millennium-1's. I chose the latter, and subsequently became a dealer. If I might make a rough analogy, the Beethovens are like sitting on the first few rows at a concert, whereas the Sound Labs are more like sitting halfway back in the concert hall. It's the dynamic scale, finesse, and power of the Beethovens vs. the lushness and inner harmonic nuance of the Sound Labs. Based on the criteria you cited ("openness, naturalness, and overall loveliness of sound"), the big Sound Labs probably should be on your list. That being said, I can't imagine anyone regretting owning the Beethoven system!

Best of luck to you in your quest!

Duke
I think you can still order them. Try their website (www.audioartistry.com)
Thank you for your responses. I agree with all of you, but one thing, Albertporter. The Scintilla is, compared to the Quad 63, the better of the two, IMO.
Muralman1, that's why there are choices.

I could not own the Scintilla, especially after hearing Soundlab. The Quads are error by omission. Not the bandwidth of Scintilla or Soundlab, but what they do, they do nearly perfect.
Audio Artistry is still active and makes both Dvoraks and Beethovens and are soon to release a new speaker.
As a owner of both Dvoarks and Beethovens I can say that they are among the worlds best speakers.
Unfortunatly the web site is inactive, but If you want to contact AA email me.