Lightspeed Attenuator - Best Preamp Ever?


The question is a bit rhetorical. No preamp is the best ever, and much depends on system context. I am starting this thread beacuase there is a lot of info on this preamp in a Music First Audio Passive...thread, an Slagle AVC Modules...thread and wanted to be sure that information on this amazing product did not get lost in those threads.

I suspect that many folks may give this preamp a try at $450, direct from Australia, so I thought it would be good for current owners and future owners to have a place to describe their experience with this preamp.

It is a passive preamp that uses light LEDs, rather than mechanical contacts, to alter resistance and thereby attenuation of the source signal. It has been extremely hot in the DIY community, since the maker of this preamp provided gernerously provided information on how to make one. The trick is that while there are few parts, getting it done right, the matching of the parts is time consuming and tricky, and to boot, most of use would solder our fingers together if we tried. At $450, don't bother. It is cased in a small chassis that is fully shielded alloy, it gets it's RF sink earth via the interconnects. Vibration doesn't come into it as there is nothing to get vibrated as it's passive, even the active led's are immune as they are gas element, no filaments. The feet I attach are soft silicon/sorbethane compound anyway just in case.

This is not audio jewelry with bling, but solidly made and there is little room (if any) for audionervosa or tweaking.

So is this the best preamp ever? It might be if you have a single source (though you could use a switch box), your source is 2v or higher, your IC from pre-amp to amp is less than 2m to keep capaitance low, your amp is 5kohm input or higher (most any tube amp), and your amp is relatively sensitive (1v input sensitivity or lower v would be just right). In other words, within a passive friendly system (you do have to give this some thought), this is the finest passive preamp I have ever heard, and I have has many ranging form resistor-based to TVCs and AVCs.

In my system, with my equipment, I think it is the best I have heard passive or active, but I lean towards prefering preamp neutrality and transparency, without loosing musicality, dynamics, or the handling of low bass and highs.

If you own one, what are your impressions versus anything you have heard?

Is it the best ever? I suspect for some it may be, and to say that for a $450 product makes it stupidgood.
pubul57
Tony was very kind to let me play with his Lightspeed unit. I really appeciate his kindness. I will post comments once I have heard more kinds of music etc...
Keep us posted Bill. That should be interesting. I am still interested in hearing it at some point just for the sake of keeping an open mind.

Strong work Tony on your review of the LSA and Truth passives. I saw that Stereophile gave the LSA a commendation for value and performance recently. Congrats to George for the long years of hard work.

Tony, which config do you have with your LSA in the stream? VAC>>Audiokinesis or are you using that other amp listed in your system?
I have used the LSA with the VAC Auricle Musicblocs, Music Reference RM-10 MkII, and Atma-Sphere S-30. The Atma-Sphere/Audiokinesis combo was the last configuration it was used with. In all three it worked fine. In some weird sort of way I might like it with the S-30 best. It allows me the most use of the volume control. Something Ralph Karsten recommends with most passive designs.

All in all, given the proper matching criteria I think the LSA would feel at home with just about any amp/speaker combo. I don't often pay much mind to what Stereophile says but the fact the LSA even got on their radar is enough of a testimonial IMO. The fact they liked it, well its just hard to ignore the truth sometimes.

Speaking of The Truth, more to come...
Wonder what Arthur Salvatore would think of it and if it might make his Class A recommended list. He's known to favor a passive approach with the right system and doesn't give a hoot about what something costs when he associates it with a specific class.
Has anyone compared the $14,000 Music First TVC with the $450 LSA? I have to imagine that price difference has nothing whatesover to do with sound quality.