Need "warm" interconnects advice


Hi, I need some advice on IC cables.
I'm looking for warmer, lusher, more romantic, "gold" type of sound - interconnects...
It seems to me my system is a little bit too detailed and precise. I'm preferring gold/silver or alloy cables, like Gabriel gold or Silnote.
Any advice would be appreciated :)
audiobb
06-25-14: Lacee
Forget "warm" look for uncoloured cables.

I see this comment quite a bit, many times coming from those who use warm sounding electronics or speakers. I guess it always makes me wonder "Why does it matter how you get there"? If you arrive at the same destination. "Uncolored" cables "Colored" gear or "Uncolored" gear and "Colored" cables? What's the difference?

Now I know everyone will say "No, my gear and cables are all uncolored, my system has absolutely no warmth", or they may call their warmth a natural warmth. This BS just makes me smile. Everyone out there tunes their system to suit their own personal tastes. So what difference does it make if you decide to tune the sound with speakers, with an amp, or with cables?

So your advice to this OP would be to buy uncolored cables, sell his speakers and buy warmer sounding speakers? Maybe a tube amp?
All gear has a "sound"
Unless someone gave you your system, you put it together by yourself.
The voicing of this gear has to appeal to your "innervoice".
And believe me, over time, this inner voice changes as you mature and really start to listen to the "sound" and not just the music.
I enjoy the music, but I don't want my enjoyment to be less than maximum either.
Every system has the potential to sound great or sound less than great,just by how we approach the hobby.

You can throw big bucks into the music and build a huge record collection but, why compromise the sound by skimping on the gear end?
Makes no sense to me.

Neither is ignoring the electricity, the room, all the connectors, the speaker position, what the gear sits on, etc.
All the stuff that splits the audiophile/music lover into choosing between the two camps, one where nothing makes a difference, and the other where everything makes some sort of difference.Difference doesn't mean better,but it's not to be confused with "all sounds the same".

If my system was too "warm" I wouldn't want to add a cable that leaned to the warm forgiving side, unless of course if that was my desire.

Sometimes our desires change.
I realized that all that warmth was robbing me of detail that is just as important to my enjoyment of the music.My tastes changed.
Some folks start off with going for gear that pushes out the most bass, and there's no such thing as too much bass to them.

Later they discover that they've been missing 40% of the midrange of the music.

You can have too much of a good thing.

It depends on how you've voiced your system.
Bass heavy, too top endy?

Find wires or ways to fix the problem or move on to other gear that isn't so coloured.Yes I agree.Been there done that.As have all the others who have gear for sale on this site.

I don't like to use the term neutral because that is a term that can mean different things to different people in the context of what they are listening to.

I would say,don't rely on the system that you've set up at this point to be the ultimate reference system .

Go out and listen to different systems,with different speakers.Listen to panels if you are a cone person, and vice versa.Listen to tubes, listen to well set up vinyl systems.
Listen to rooms that have treatment, and power conditioning.

I think you will, as I did, come to a much better understanding of how much the little things that shouldn't matter ,when combined, really do add up to improvements.

You really never know if your system is too thin or too thick, if you have nothing better to compare it to.

I've been fortunate to have had friends and audio dealers who helped me find my way.

Had I not had the help, I probably would also speculate about wires, and fuses having any effect on the sound of my system.

To me, this hobby is all about discovery, and it's not about standing still and accepting that what came out of the box is as good as it can be.

I've learned otherwise.
It can be a costly education, so be warned when you open up Pandora's box.

Sadly there's no free lunch.

The performance of your gear is a direct result of how much effort you put into your system.

It will sound great with stock this and that,but in my experience, it can sound even better.

But to get it to sound better costs time, effort and money.
For some folks that's not being "all about the music" and being all about the gear.

Unless you hire the performers to play in your room, then it is all about the gear.

And it's all about how you tune that gear to please your inner voice.

At least for this moment in time.
Lacee

You have rounded up this post perfectly. I have read this with much interest as I have been on the same merry go round as I am sure many others have too.

There are some valuable contributions here in general apart from the specific cable recommendations which are good too.

Now, I worry and analyse less about sibilance or other untoward sounds on less pristine recordings and hopefully just enjoy the music.
"... I worry and analyse less about sibilance or other untoward sounds on less pristine recordings and hopefully just enjoy the music."

Congratulations! It certainly took me a long, long time to finally get away from too heavy a concern with pristine sound and all its "glorious detail" and supposed neutrality. Best wishes for continuing musical enjoyment, regardless of the level of coloration..
The Gabriel line of cables did what you ask for in my system but I prefer more detail at less expense. For far few dollars, try a used pair of Cardas Cross cables (thick and warm).