Benz Ebony TR or Lyra Kleos SL?


...or a custom 0.18mV Colibri XCW?
Some background, I have the old ARC Ref Phono that I've been running a custom H.O. Colibri XCP (1.0mV) into the MM input on. This because I found the previous = or less than 0.32mV cartrides I had to sound better into MM bypassing the Jensen SUTs in the MC input. From research I believe the reason to be that the SUT config might prefer carts of less than 5ohms or loading of ~100ohms. There might be other reasons, but I'm itching to revisit a LOMC and the 3 above are on my shortlist. The 3rd option (XCW) would have more than 15ohms resistance though, but VdH say they recommend ~100ohms thus its inclusion. Your thoughts?
vusi_khumalo
Being few decades dedicated to analogue and building a record collection, I still don't get why people love super-low output carts. I'd always prefer cartridge that does not need any step-up device. There are electronic step-up devices sold that may make more sennse economically and with ease of set up vs. SUT, but I found even that unnecessary since there are so many cartridges with .4mv or above with competitive performance not requireing any step-up devices with right phono preamp.
I understand Cvarivey's point very well. The TR is extremely low output and is an extraordinary cartridge, but all the benefits may very well be lost unless you have a superlative phono preamp. If you are willing to get a great pre, you will love the Benz.
I have been using the Kleos SL for a couple months now and i love it. My chinook is all I need for amplification at 58db. Highly recommended