Why did you choose a horn based loudspeaker?


Seems horns or waveguides have become more acceptable to modern audiophiles. So I ask horn owners why did you select a horn based system over the other options in loudspeakers? I myself mostly for dynamic range, lack of compression, image size and little to no listener fatigue. Plus I find a horn loudspeakers to be interesting in design and in appearance. I have a large collection of vintage and modern horn systems as well as dynamic loudspeakers.After 30 years of trying designing etc today I mostly prefer fully front loaded horn speakers. I know that horn speakers still are controversial but please try to be civil.
128x128johnk
Like most audiophiles, I have owned a number of different speakers large and small, including Khorns. I currently use horns, simply because they are the all around most natural sounding speakers I have ever owned, but then, I am not in the big leagues, and have never owned a speaker worth more than 12k.
I agree with Mapman though that I could also feel perfectly content with other speakers. (yes, including Ohms)
It is true that most horn speakers have wide dynamics, but many dynamic speakers are very dynamic as well. The Coincident Total Eclipse is one that I really liked in that regard, and should have bought. Although I really liked the Spendors that I owned, dynamics were a weak point.
In my current speakers, the treble and midrange is handled by a single horn, which has a 12" driver above and below it.
The one horn covers so much of the audible range, and to my ears, the transition to the lower bass is pretty seamless.
In the end, I would say wider dynamics are a strong point with horns in general, and of course, some are shouty and cause fatigue to some listeners. If mine were, it would annoy me as well.
Had a couple pair of Klipsch Heresy's back in the day; one home audio pair and one pair of stage monitors. They were hyper-efficient and had nice dynamic range for the relatively low-powered amps I had available (Hafler DH200, DH220 and a Dunlap-Clarke Dreadnought 500). That made them very budget-friendly for a student and garage sound engineer of limited means. However and just like Czarivey, I came to find them overly fatiguing during home use at low volumes. They were especially sensitive to IM distortion. Never had the chance to try them with a good tube amp like the MC275, so I can't say if I might have stuck with the horn-loaded configuration. I them moved into the Rogers I'm still using today and have been more than satisfied with them for over 30 years. Hope this is useful for you!
I have conical horns which none of that honking, shouty stuff so many always mention. It is important to know that horns vary. Some designs sound much better than others.
For me voice is the best benchmark of a speakers reproductive accuracy. We can argue all day about musicality but it is pretty easy to determine if a spoken voice is clear, articulate and realistic sounding. And I think that a speaker is a machine. If it can reproduce a voice perfectly, it can reproduce everything else as well. And mine do. My horns have a coaxial compression driver so they range from 450 hz. to 17Khz. from a single point source. Underneath is a 15 inch woofer in a ported cabinet that reaches to perhaps 40 hz.
Bought a 1.75 watt amp and needed some hi eff speakers

scored a pair of mint upgraded Klipsch Quartets

Now I want more