Linn Sondek Hype

Normansizemore, I'm sorry you had such troubles with your Linn. Mine has the Origin Live DC motor/power supply upgrade which only cost just over $600. This is as far as I need to go to get great unmuddled sound. My arm is just the Basik LV X with a Grado Ref. Sonata cartridge. I'm very pleased. I think the best thing I did was to get an inexpensive Nitty Gritty to clean the vinyl, along with the AIVS fluids, and the Zerostat.

to answer the OP, yes the ikea lack is a viable option but mods (cheap) needed. specifically spiking it... search the forums and you shall find! when i have more time will get you the links...

Nicholas

Abucktwoeighty, that's what I started with! And you don't need to be sorry, I am happy now and listening every day with no problems. Oh, and I liked the Basik tonearm, my Basik had a removeable headshell so I think it was the Basik Plus. I replaced it a couple of times and ended up keeping a Grace 747 on it. I used my turntable nearly every day, so my motor and original powersupply didn't last any time at all. I am thinking less then two years when I replaced them the first time. Don't waste your money on the Cirkus bearing upgrade, the original bearing is just fine. I have heard that the older Linns were more reliable than those from the late 80's and 90's. Mine was 1989.

I had a time a while back where I thought of selling my Linn and getting a VPI as I was mostly ocencerns about the footfall and adjustment issues inherent to the LP12. I have solved the footfall issues and have, after closer examination, come to realize that the "majic" of re-adjustment are infact myth. I love the sound of the TT and plan to keep it. I also have Mcintosh and have heard for years from people that tell me "oh it's horrible, Oh it's ugly" etc. Well to them I say "eat a bug!" I love it and will continue to buy it. One thing is when I trade up it is easily sold. Funny how a market exists for a company approaching 60 yrs in the business can be so "horrible"!
As far as mounting the LP12 I have it firmly braced to the wall and it sits on 3 Aurios and that has how I solved the footfall. The biggest problem I have with the LP12 is that my job restricts the time I get to listen to it.

Thanks for the suggestions, I should have said a little more. The one I bought came with the sound organisation wall mount, so I am covered there, but my listening room is in the basement, and I do not think I can install it because there are no studs. Because it is a basement I don't have footfall issues, thank goodness for concrete ;). I am not sure as to the durability of this one, as I don't know the age, but it came with the lingo power supply, and ekos arm, with a shure v15 mxr. If wall mounting is still the best option, I think I mount a couple of 2x4's across where the studs in the wall already are, then mount the table to that. The studs in the basement are spaced at the width of the drywall sense it is a faux wall. Which leads me to another concern, reading the paperwork it says it must be mounted onto a load bearing wall, which the faux wall is not, it is simply a way to hold the drywall over the concrete basement wall.