This has been a really educational thread for me. I don’t buy much vinyl and when I do it’s an LP that I had back in the day where I have found the digital mastering wanting for some reason.
The points that really interest me here are:
1) artists want to capitalize on the vinyl resurgence who can’t afford to make quality products , and who are aiming their releases and the younger unsophisticated listeners
2) most new releases are made from digital masters.
I feel like Mr Spock in noting that both of these points are based upon illogical premises. Even well recorded music if packaged in an inferior delivery system (I.e. a poor quality pressing) will be problematic. And recording in the digital domain and then embedding the files in a slab of petroleum has never made sense to me.
However the consumers are not looking for logic but rather embracing a dogma, namely that if a file has been placed in vinyl it is by definition superior to any other medium .
Vinyl can sound excellent, but imo every link of the chain should be analog

