In my world, it isn’t just the tube or brand, its particular vintage during a long run of production, factory code, or just the circuit, but the voicing of the entire system, which may or may not be made of other tubed components. Juggling that balance involves controlling other variables. I think checking with the manufacturer isn’t just a good idea to be safe, but to get real world equivalents- for example I have an amp that uses the same rectifier but won’t allow a substitution, whereas in my phono stage power supply, I have long used GEC U-52 variants (cup base). That tube sounds better to my ears in my system that an even more rarified GZ34 metal base (Philips-Miniwatt), which has phenomenal bass output but sounds wooly and dead on top. Perhaps, in a different system with different overall needs/voicing, the metal base might be the right choice. For me it is not. There’s also a lot of lore to learn, and though I’ve been messing with all tubes since the mid-’70s, I’m still no guru.
Other owners, manufacturers are worth tapping for knowledge and experience. Be aware that a lot of "NOS" tubes are pulls- they are graded NOS by measurement, but they have been used in some gear at some point. And, it may be worth exploring both old and new production, since in some cases, the older tubes can get scarce. Thus, my love/hate relationship with the 6h30-
good luck, have fun.

