Mahler's Symphony No. 8, dubbed the Symphony of a Thousand because of the huge size of the orchestra and chorus goes from whisper quiet to a huge blast of sound at the end. I spoke with a horn player in the Boston Symphony Orchestra who said it is the one piece that made him concerned about damage to hearing as a player.
Almost all large scale symphonic works have so large a dynamic range that they are never recorded with full dynamic range preserved. Recordings have to be made listenable in normal rooms which are noisier than a concert hall, or listenable on a subway train or in cars, etc. I have a CD by Clarity Records that preserved the dynamic range for Stravinsky's "Rite of Spring." It has warning labels on the cover about how the peaks can damage equipment if the quiet level at the beginning is not set at a very low volume level.

