Does anyone have a digital system that is as involving as their analogue front end?

No doubt a great album. It does distract me a bit though. Especially on side 1. 
I have the Craft Kevin Gray mastered “Sunday At The Village Vanguard” which is the 1st of the two releases. I’ll play that next over the weekend. It’s phenomenal. I highly recommend it if you don’t own it yet. 
 

As a side note…I started with 100ohm load on the phono stage, which is how it was shipped to me from Whest. As it was breaking in, gradually it was becoming warmer in its presentation compared to when I first got it. By now it became a bit too warm sounding and even a bit shut in. Switched it to 220ohm and bam - everything just opened up. I’ll run it at 220 for a few then try the next load up. But so far the 220 sounds excellent. Cartridge is Hana Umami Blue which calls for 80ohm minimum load. The Hana is also relatively new with around 60hrs at most. 

I have the UHQR pressing of Sunday At The Village Vanguard. It' is a great record.

@macg19 

I have both albums and like them both a lot. They did a super job of recording and pressing, despite the background noise. "Waltz for Debbie" was recorded with "Sunday At the Village Vanguard." They had too much material for one record and so made two. There are one or two cuts of pieces also on "Kind of Blue." They were written by Bill Evans. He was a brilliant composer.

@audphile1 

Can you play around with capacitance? I have that adjustment on my Pass phono stage. I have read that with a moving coil cartridges capacitance should be set to 100 and left alone. I have found it makes a difference, however. I eventually set mine at 200 when my VPI Shyla broke in.  The cartriidge was a tad too bright and it settled down at the 200 setting.

@audio-b-dog I didn’t know Bill composed tracks on Kind of Blue - I’ll check out the liner notes - thx.

@audio-b-dog I think you’re referring to impedance. I have my phono stage set to 220ohms now. Capacitance has no impact with moving coil cartridges.